HULL ARTISTS’ 23rd ANNUAL
THIS SATURDAY AND SUNDAY FROM 10 AM TO 4 PM
23 ANDREW AVE IN HISTORIC HULL VILLAGE
Maps available in my studio or online at hullartists.com.
I wanted this month’s featured necklace to have a short story because I have a longer story I am eager to share.
Max is the feature this month: a Labradoodle born on April 12, 2018 and welcomed into my home on June 19. Yellow Lab Maxie passed away on February 3 and it didn’t take me long to realize I missed my canine companion and I hated the quiet house! To fix it, I did a lot of research and found an experienced certified breeder: Marianne Hannagan at Autumn Haze Labradoodles in Newmarket, NH.
The result is an 11-lb cream-colored mellow male puppy who should be 30 lbs at maturity. He is quite delightful even though he exhausted me the first week! Week two is an improvement as we adapt to each other. We have started Obedience Training.
He now sleeps in his crate, assembledlast week by my brother-in-law, and already loves it! He walks into it often. Amazing.
He is full of puppy energy. I think he turns on a go button and runs for60 minutes, then switches the off button and sleeps for more than an hour. Since I’m getting up at 6am, I try to outsmart him by taking him to the garden where I cut, deadhead and weed while he runs up, down and around. Then at 7, it’s food, coffee and the newspaper while he cools down and sleeps. For the rest of the day, it is all about Max outsmarting me as I follow him around, removing low-hanging stuff, re-arranging electrical cords and putting my belongings up high.
It is sweet and quiet, even though it looks so shiny in the photo. It is made with faux pearls which have no background story, in a pleasant pale yellow. The lampwork glass heart is made by Louise Erskine (MA) and is pale yellow at its center surrounded by several shades of soft green.
This necklace is 19” long; the centerpiece is 1.5″ long; the clasp is brass; matching earrings with vermeil earwires are included. $79.
This amber is Baltic, and it is often called the real amber. There are other ambers from other places, but Baltic amber is the most available. Amber is fossilized tree resin—not sap which circulates through a tree’s vascular system—but resin which is secreted through canals in the epithelial cells of a pine tree. The real delight of amber is when bugs and plant material are captured in its resin and fossilize inside the amber. The thrill of amber is that these pieces could be 40 million years old.
Tibetan centerpieces are my most favorite to collect.
They always feature a large-sized stone bezeled onto a piece of silver or bronze which is richly engraved and decorated with a classic Asian animal. When I choose a Tibetan piece for a necklace, I invariably use matching beads strung fairly simply. And I try to find a creative clasp solution for the back of the necklace.
This necklace follows the pattern described above.
The centerpiece amber has interesting if indistinct inclusions.
The animal featured above it is a goose which the Asian culture loves because a migratory bird never fails to return. They also mate for life. Both themes signify longevity and constancy.
Notice also on the back of the centerpiece the image of a deer, much beloved in Tibetan Buddhism as well as in Tibetan folklore and legends based on themes of longevity.
I love how the deer is resting on a regal floral vine beautifully carved in brass.
From the philosophical grounding of longevity themes, lift your eyes, dear reader, to the whimsical background of the clasp: in its prior life in the 1960’s, this chunk of amber was a cufflink! My friend Betty gave me a bag of broken and out-of-favor jewelry (I love it when friends do that!) with several amber cufflinks I treasured. Here it is, upcycled! Check out the inclusions.
This necklace is 24” long; the centerpiece is 2.5” long; matching earrings are included. $99.
With apologies to my colleague Donna Goes, I would like to correct her website address to:
She produces paintings in a very unique medium–fused plastic–actually made from recycled plastic bags!
You can see her work and mine plus 38 other artists at the Hull Artists 23rd Annual Open Studios Tour on July 7-8 and August 18-19. Free catalogues at Hull businesses from early June on.
One of the treasures I found while revisiting the Amber drawer was some faux amber beads I found in an outdoor market in Bhutan, a landlocked Himalayan nation in South Asia. Its 800,000 citizens are surrounded by India, Tibet and Nepal. They are peaceful Buddhists. Instead of GDP, Bhutan measures Happiness.
I knew the necklace was faux, but I bought it for the memories, not only of scenic Bhutan, but of the last trip Don and I made together before the ravages of Alzheimer’s disease were unleashed. Now, five years after Don’s death, I release these beads into the world. May they be someone’s personal measure of Happiness!
It was a gift of the two-toned resin beads from fellow artist Donna Goes* that made me think of the Bhutanese beads and I think they pair well together.
I added sterling silver beads and a Tibetan centerpiece of copal with pretty silver work.
Ah, copal: another twist to the Amber story. For 23 years, I have described it as “young amber,” just to make it more understandable to my clients, but always labeled it as copal. Now that I’ve researched it, I was correct: it is tree resin, like amber, but has not completed its fossilization. It is measured in thousands of years; Amber in millions. Copal is softer, opaque, citrine in color.
Weight: 8 ounces
Size of largest bead: roughly 5/8” from hole to hole by 1” high. Centerpiece: 1.75″ hole to hole by 1″ high.
Wear your silver earrings.
*Read Donna Goes’ story and see her amazing fused plastic paintings at www.luckylife.com.
Heads up! Visit us both + 38 other talented artists at Hull Artists’ 23rd annual Open Studios Art Tour on July 7-8 & August 18-19.
It’s Easter. It’s April Fool’s. It’s interesting Amber time.
This necklace is very old Amber: an oxymoronical statement since to be Amber, it has to be fossilized resin of extinct pine trees dating back 40 million years. This mixed necklace contains three antique natural extra-large Moroccan Baltic Butterscotch Amber beads at the center and two out from the center. To clarify the oxymoron, they are Baltic Amber, by definition very old, but also antique since they were crafted into this shape over 100 years ago in Morocco. Therefore, they are also rare. Etsy has an overflow of amber pieces, but only one with these three beads in it; they price out at $166 each.
The remaining 18 beads are Ram’s Horn, also made in Morocco, also antique, also natural. Their patina is even more interesting: cracks and dryness which I assume are from the dry mountainous air of the nomadic Berbers who traded in beads. Their colors are in vibrant shades of amber. The ram has been a popular theme in jewelry and adornment since the Phoenicians of the 6th century BC. I still wear my ram’s horn gold earrings from the 1980’s.
On many large Amber beads, signs of testing are visible as round black marks near the hole.
See details in two beads to left.
The trader would prove the authenticity of his beads by applying a hot needle: if it cannot penetrate the surface and if the contact smells of soot, it is real Amber.
Other resins would allow the needle to easily go into the bead and smell of fresh pine.
Finishing this necklace are some small Chinese wood beads with miniature landscapes etched in black ink, chosen for the overall shade of amber dye to extend my color theme. Notice sterling silver spacers and interesting circle with a lobster clasp. Wear your silver earrings.
Weight: 10 ounces
Size of largest bead: 23 x 35 mm or roughly 7/8” hole to hole by 1.5” high
Berbers are indigenous to North Africa, especially Algeria and Morocco, living there as farmers since the Phoenician times. They were also traders, although not as famous as the later Tuareg tribes discussed in my blog of March 22, 2017.
Anyone can use store-bought clasps or even seek out artist-make clasps at the big bead shows. I too use these old stand-bys for the majority of my necklaces. But it is fun to rummage through my drawers and cubbies to see what odd find can be made into a clasp.
I made a decision early on that I didn’t want to create beads. It suited my personality to engage in a hunt for the odd, quirky, overlooked, repurposable, full-of-character item that can function as one part of a clasp—either the circle or the stationary part or the toggle or moving part of the clasp. Yes, I am a collector. My finds are my treasures.
This particular clasp find is a 1960’s vintage plastic circle that was a good color match to the necklace. Plus, it added texture to the already-rich necklace: look closely at the crisscross pattern.
I designed the toggle part of the clasp from sterling silver wire.
The centerpiece is thick handmade glass I purchased in Murano, Italy, with a distinctly aqueous pattern in bold tones of aqua and pale grey with some darker streaks. It is 2” diameter.
In a stroke of great bead karma, Drawer 15 (Grey) contained the palest shade of grey faceted Czech glass beads which are the base of the necklace and speak to the centerpiece. Also note the four artist-made lampwork glass beads bookended with rare vintage Italian oval glass beads in aqua.
Statistics for this necklace follow:
Title: “Murano Waves”
Length: 21” plus centerpiece.
Featured beads are described above. Matching earrings with 7/8” dangle are included.
I made a trip to Murano & Venice in 2013 and blogged about it here on June 29, 2013.
Let me count the things I love when creating necklaces: creative clasps, asymmetry, chunky beads, bold statements, anything that puts a smile on one’s face.
I have a saying in my studio: “Life is too short to make boring necklaces”. I’d rather have fun mixing up colors, styles, throwing in some whimsy, and presenting the resulting creation to the public.
I’ll admit I was pleased with this necklace. The beads are rock crystal and faceted (more unusual than smooth); the necklace is asymmetrical, and possesses a creative clasp I bought last year and have been eager to use! It hit a lot of the things I love!
Rock crystal is also called natural crystal. Natural crystal is a quartz without other minerals present. It was formed when molten rock magma cooled beneath the Earth’s surface and crystals formed. Over time, other minerals infiltrate the natural crystal, add color and the results include well-known semi-precious stones like: amethyst; citrine; rose quartz; smoky topaz, to name a few.
Crystals are favored by healers. Rock crystal is associated with balance, clarity and energy.
Information for this necklace follows:
Title: “Music of the Spheres”
Featured beads: Faceted rock crystals with brushed sterling silver circles. Sterling silver hook clasp by
Priscilla. Matching earrings included.
My Blog Plan for 2018 is based on a first of the month posting of a special necklace and its story which was also 2017’s plan, only weekly. I also thought I might post a more lighthearted piece of work mid-month.
There is nothing more lighthearted than ball chain. My first exposure to it was a lucky rabbit’s foot I received as a birthday present as a kid. Today such a gift would have PETA picketing outside our family home. I just attached it to my pencil bag and petted it for good luck.
Otherwise folks used it to keep their keys together. Maybe it should have been called key chain? Or dogtag chains? Or pull cord chain?
My selections from the top include fancy sterling silver ball chain with the Egyptian Ankh and Nefertiti pendants.
Then three brass ball chain 24-6” long, with picture jasper, brass and copper, and ceramic snake pendants.
Next, 36″long ball chain with faux Amber resin and lamp-work glass with silver dots.
Finally, ordinary ball chain with picture jasper, lampwork glass and pewter in 24-6″.
Ball chain really keeps prices down! They range from $11 to $25.
The top two sterling silver are $35 and $38, left to right.
Last year’s challenge is a gift that keeps on giving. As I made my way through the year, drawer by drawer, I chose to present the best that drawer had to offer, create a boffo necklace and blog it. The gift is that many drawers offered several choices of fabulous beads which I put aside for future consideration.
Well, the future is now. I have several trays full of plastic bags each containing a necklace wanting to be designed. The first to jump out is New Jade with a magnificent carved jade centerpiece.
I’ve collected new jade beads for years, liking their milky green color with their cloudy opacity. Guess what? New jade is the trade name for semi-translucent serpentine! It’s OK that it is not jade; I have always considered serpentine as a cousin of jade.
The real story here is the centerpiece: it is real jade, variegated from white to mountain green, carved with the usual flourishes of talented carvers plus the open work circle which is not often seen—perhaps due to the difficulties posed by carving one of the hardest stones.
Many jade centerpieces in my stash are round and I now know why: they were girdle ornaments in ancient China. Read girdle as belt, perhaps similar to a Japanese obi. In the Zhou dynasty (1050—256 AD), seven carved jade pieces hung down from the belts of men and women. The wearers enjoyed the tinkling of the ornaments as they walked, reminding them of music, claiming it put them in a joyful disposition.
I enjoyed reading that in royal Zhou courts, only the king could wear white jade; princes wore green the color of mountains; prefects wore a water blue stone; and mere officials were assigned to prehnite which is pale green in color. Men and women of all classes wore them, choosing emblems of their life’s work (which type of stone was not noted).
The necklace has three strands of hand cut new jade with earrings to match. Both are finished in sterling silver. It is 18.5” long. The centerpiece is 2” diameter and .25” thick. It is not heavy, weighing three ounces. $99 the set.
I do not mean to imply the centerpiece is ancient. To the best of my knowledge, it is contemporary.
Most of my research came from a book I purchased in Hong Kong in 1994. Originally published in 1912, republished in 1974, my unabridged edition of Jade: Its History and Symbolism in China by Berthold Laufer was republished in 1989.