My Chinese Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during my husband’s ex-pat assignment. Serves as the repository for my beads. Handcrafted. It has 52 Drawers, mostly sorted by color.
2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila! 52 Necklaces!
Week 34/Drawer 34: August 23, 2017: “Illusionist”
Cinnabar is an intriguing name. Sometimes I call it “Chinese Red”, especially if I am referring to furniture or antique wood items. It is a terrific color for bead jewelry since it seems to flatter all skin tones. I buy cinnabar whenever I see it. The more typical beads are carved, but my favorites are these large smooth and very light beads from Drawer 34.
Cinnabar has been used in China since the Song Dynasty (960-1279 AD) when its name evolved from “red cinnamon”. Cinnabar is found in every mineral deposit that contains mercury. The Chinese avoided the toxic effects of mercury by coating it with lacquer, thereby creating their famous lacquerware. Today the toxic pigment is replaced with a resin-based polymer. All the famous Renaissance painters loved their scarlet pigment called vermillion made possible by mercury; today’s artists use the polymer version in their oils or acrylics.
In this necklace, I separated the cinnabar beads with some Kris rings I found in Bali. Needless to say, they have an interesting history also: they are one of three components in the dagger found in Bali (also Thailand and a few other places); between the wood or silver hilt and the iconic wavy blade sits the Kris ring, historically red rubies, but glass and brass in my version.
The oversize brass hook-and-eye clasp suits the large cinnabar beads which are 1” in diameter…but let me emphasize they are very light in weight. 20” long. Small cinnabar earrings included (or wear your own gold earrings). $95.