GOLDSTONE

“Grand Illusion”

As I reach the end of my second regular blogging year (weekly in 2017; monthly in 2018 and onward…), this Goldstone research produced my first big “Aha!”

For almost 25 years, I have assumed Goldstone was one of my beloved semi-precious stones found in Nature.  It’s called stone, right?  But no!  It is a glass product cooked up by artisans!  I am not disappointed, dear readers, because it still is a fabulous glittering glass and it makes a great necklace.  I am now informed!

The original goldstone manufacturing process was developed in 17th century Venice (and Murano) by the Miotti family and exclusively licensed to them by the Doge.  The ingredients include silica, copper and other metal oxides to produce glass containing tiny crystals of metallic copper.

I have also used blue goldstone which I now know substitutes cobalt for copper.

This 22″ necklace contains two sizes of facteted goldstone with a center bead called a briolette, also faceted, which plays up the glitter very nicely.  Copper clasp and matching earrings.  $69 for the set.

 

 

 

 

February 15: Cut some Ball Chain, Add a Centerpiece!

My Blog Plan for 2018 is based on a first of the month posting of a special necklace and its story which was also 2017’s plan, only weekly. I also thought I might post a more lighthearted piece of work mid-month.

There is nothing more lighthearted than ball chain. My first exposure to it was a lucky rabbit’s foot I received as a birthday present as a kid. Today such a gift would have PETA picketing outside our family home. I just attached it to my pencil bag and petted it for good luck.

Otherwise folks used it to keep their keys together. Maybe it should have been called key chain? Or dogtag chains? Or pull cord chain?

My selections from the top include fancy sterling silver ball chain with the Egyptian Ankh and Nefertiti pendants.

Then three brass ball chain 24-6” long, with picture jasper, brass and copper, and ceramic snake pendants.

 

 

 

Next, 36″long ball chain with faux Amber resin and lamp-work glass with silver dots.

Finally, ordinary ball chain with picture jasper, lampwork glass and pewter in 24-6″.

Ball chain really keeps prices down!  They range from $11 to $25.

The top two sterling silver are $35 and $38, left to right.

 

 

 

Drawer 52: Recycled Found Metal

“Urban Jabber”

My Chinese Apothecary Chest:   in 1994, it arrived via container to California from Hong Kong, where I discovered beading during my husband’s ex-pat assignment. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers, mostly sorted by color.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

‘Week 52/Drawer 52: December 28, 2017: “Urban Jabber”

We have arrived at the last Wednesday of 2017 and at the bottom right last drawer. Drawer 52 actually contains faux amber, but the necklace would look a lot like Drawer 34 (August 23), so I have chosen to conclude my year’s work with panache.  I will tie together an amazing centerpiece with a quote from the artist which will, in turn, tie together my thoughts on rejuvenating my work in my 75th year.

Rochelle Ford, Palo Alto, CA, is the artisan who made the centerpiece. At age 58, she taught herself to weld, got a permit to salvage metal at the town dump, and turned her home into a gallery of her work.   I took some classes from her in the late 90’s to learn how to solder (I flunked, just like those drawing classes I took.  So if you can’t do it, buy it from one who can!)

I commissioned some recycled metal centerpieces from Rochelle and this is the last one in my inventory.

Life marched on.  I’m in Boston; Rochelle has turned 81 and is still welding.  Imagine my surprise three years ago when some ageing quotes popped up in my email, just like the cute dog and cat emails, and my friend Rochelle had a fabulous quote!  I copied it and put it on my studio bulletin board.  Here it is:

“ Every morning when I wake up, I say, ‘I’ll never be as young as I am today.  Today is the youngest day of the rest of my life.  Get up and do something fun!’” 

Her piece is 5.75” by 4.75”. There are many crazy bits of metal welded together and painted.  Like all my centerpieces, they dictate the colors of the beads:  here olive and copper were the obvious choices.  They had to be chunky, so there is lampwork glass, Indian glass, filigreed copper, a strand of small round flat vintage Czech glass, and it really demanded some hefty copper chain.  It weighs just 10 oz, not a heavy necklace.

The beaded section is 9.5” long on each side and features a large copper clasp. Matching olive  earrings don’t match with each other:  one is round and the other an organic pear shape.  As Rochelle recommends, have fun!  $139.

Rochelle’s story is too good not to tell, so I will do a week 53 wrap-up to tie together my thoughts on rejuvenating my work and what I learned over the past 52 weeks. We’ll pretend there are 53 weeks in 2017.

You will love her website www.metalsculptor.com, or google her name Rochelle Ford.

 

 

 

 

Drawer 40: Freshwater Pearls: White

 

“Tell it a Little More Than it is”

My Chinese Apothecary Chest:   in 1994, it arrived via container to California from Hong Kong, where I discovered beading during my husband’s ex-pat assignment.   Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers, mostly sorted by color.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 40/Drawer 40: October 4, 2017: “Tell it a Little More than it is”

Once upon a time, pearls were stratospherically expensive. Only cultured pearls existed; think of black Tahitian pearls harvested by divers, or the Japanese Akoya Oyster pearls in those luscious Mikimoto ads.

Ah, the legends: New York jeweler Jacob Driver was said to have sold a rope (36” to 54”)of pearls in the 1890s for $1.5 million.  Pearls were the most valued type of jewel in the Golden Age (See blog dated July 12, 2017 for more of the excesses of the Golden Age.) Jacques Cartier famously bought the NYC mansion where his iconic Fifth Ave store still stands for a double strand of matched pearls valued at $1 million in 1917.

That was then; this is now. In 1979, Japan and the USA developed a method to farm pearls by placing an irritating microscopic object in a mussel, forcing it to develop a nacreous coating over the object.  Freshwater pearls became available to all at reasonable cost.  In the USA, sadly, there is only one still in business, in Tennessee.  China has become the low cost producer and market leader.

“Nacreous” and “iridescent” are the words used to describe freshwater pearls, just like the inside of a mussel shell. There are many colors and shapes.

This necklace features nicely rounded large pearls in a natural white lustre. I wanted to use the copper ceramic piece to hold the pearl strands together, so since six lengths could be jammed in, the resulting necklace has three strands.  I added some dyed copper freshwater pearls in pear shapes as dangles.  And if you look at the clasp end of the necklace, there are some small sparkling glass beads faceted on the top and flat on the bottom—made in the USA for the millinery industry in the 1920s (again, see the July 12 blog!).

The ceramic piece is made by Barbara Hanselman who describes herself as a claysmith. She is smitten with creating in clay and has a fabulous website.  She is based in Cherry Hill, NJ.

This necklace is 22” long and the dangles add 4”.  Copper designer clasp.  Earrings on copper earwires with a pearl and a millinery bead are included.  The set is $149.

Drawer 15: Peach & Gray

 

“Emotionally Rich”

 

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment there. Serves as the repository for my beads. Handcrafted. It has 52 Drawers.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila! 52 Necklaces!

Week 15/Drawer 15: April 12, 2017: “Emotionally Rich”

Since I had just a few peach and gray beads, I put them together in Drawer 15 and they have co-existed over the years. While rummaging through the drawer, I was excited to find two strands of gorgeous peach aventurine to feature this week.

Aventurine is a crystal with a lot of quartz in it, mostly opaque and often green, leading some to incorrectly identify it as jade. Peach is a lesser known aventurine color which is achieved by the presence of the minerals orange mica and pyrite (aka “fools’ gold”). These minerals are said to enhance creativity.

When I found the four large peach aventurine ovals, I knew I had enough to make a two-strand necklace! Notice how the sparkle of the coppery seed beads brings out the brightness of the minerals.

The highlight of the necklace is the lampwork glass creation of Gail Crosman Moore. Gail is special to me: a familiar face at the many CA bead shows where I shopped; she is from Western MA; and she is a redhead!   Mostly she is a truly creative artist as she wields colorful glass canes in one hand and in the other hand, she shapes the molten into a unique bead, all while wearing protective gear in front of flame!

Shaped like a bell, the centerpiece is peach with striations of green and blue. The bottom has beautiful blue pods waiting for your caress.

Read Gail’s website and be sure to note her shop in P-Town!

This necklace demanded a copper clasp and is accompanied by a simple pair of copper and aventurine earrings. It is 20” long.  $115.

Picaresque

 

 

Necklace "Picaresque"

 

I intuitively named this necklace “Picaresque.” Upon thinking of the meaning as rogue or bohemian, it is really appropriate. This necklace is all about the centerpiece; I made it in a class in the 90’s, wore it in the bohemian era on a cord, and put it aside.

Recycled, reused and re-invented, it is happy now with yellow jade beads tying the centerpiece to the necklace. Only after living in Hong Kong and becoming a regular at the Jade Market did I realize how many colors of jade there are! This strand is a honey mustard shade, interspersed with the same ethnic beads as the centerpiece. It is finished with a gold metal clasp.

Let me describe the delicious beads featured in the centerpiece: The most roguish are the two irregular rounds of ram’s horn—the first and only time I had a chance to buy ram’s horn; from Morocco’s Atlas Mountains as I recall. My next favorite beads are the jasper and yellow striped beads. They are trade beads from Mozambique that I bought in a Lisbon, Portugal flea market in 1965…long before beading was a word that had even drifted through my mind!

You’ll also notice a conical wood bead in the same honey mustard shade, two ethnic jasper beads of unknown provenance, green sand-cast glass African beads, and glass jasper spacers. The framework for the centerpiece is brass wire.

The necklace measures 22” with the centerpiece 3” wide by 3 ½” long. The price is $215 including shipping.

Trunk Show

Trunk Show December 6 & 7 2013

Hail West Coasters!

Hope to see you for my THIRD ANNUAL TRUNK SHOW…

 

How Do I Love Copper?

Let me count the ways. It is warm in texture and in color. It is different: not gold nor silver. You can actually find earrings in the retail world…or in my studio. Yes, copper has moved into the mainstream. I’ve been using it in my jewelry since the late 90’s and I remain firmly committed to this orange-y metal. Now there is a clue why I like it!

This necklace is named Anisoptera, the species name for dragonfly and which, translated from the Greek, means uneven wings. It is made in Mexico from Patty Healy (CA) designs and executed in copper and brass. What I find unique about her use of copper is that she has it heated with a torch resulting in a bright and warm red-orange color. Note also the brass accents soldered on the wings and those perfect brass bug eyes!

I wanted the necklace to stay with the copper color, so I used a coordinating strand of dyed freshwater pearls with a tad of apricot pearls as contrast.

I made the clasp from copper wire: I hammered the circle flat and hardened it in that process; the toggle is bent copper wire. I want my necklaces to look as good from the back as from the front! I made earrings to accompany the necklace. The earrings are 1 ½” long with copper ear wires.

The necklace measures 18 ½” long. The dragonfly is 3 ½” long and a little over 2” wide. “Anisoptera” is light and easy to wear, not to mention fun! The price is $125 and includes shipping.

This necklace is named Anisoptera, the species name for dragonfly and which, translated from the Greek, means uneven wings.  The pendant is made in Mexico from Patty Healy (CA) designs and executed in copper and brass.

This necklace is named Anisoptera, the species name for dragonfly and which, translated from the Greek, means uneven wings. The pendant is made in Mexico from Patty Healy (CA) designs and executed in copper and brass.