The Bunch Series

“Clarity and Subtlety”

A couple of years ago, I had the idea of bunching a group of related-by-color beads with a two-color necklace. I was pleased with the results, so I make one whenever the inspiration strikes. Presented here is November’s offering plus one from this year and another from last year.

They are fun to make, even if the wire work is a tad laborious. But they serve another purpose: I can utilize my special beads which don’t suffice for a full necklace, but can be the highlights of a Bunch Necklace. That is how they are born—open a drawer, find a bag of a half-dozen beauties left from a big project—lay them down on my desk and keep adding more beads until some colors announce that they are happy with each other. Lay those colors on a design board, search other drawers to find what’s missing, then celebrate the “aha” moments as a real necklace designs itself!

Not easy for a beginner, but after 25 years, I’ve learned to look and listen to the beads. They know what colors they want to be beside. Sometimes they surprise me. They have been wrong a few times and I have had to take them apart and return them to their drawers for another chance at greatness.

November’s choice could get you through this year’s holiday parties. The necklace is composed of sparkly black and clear faceted crystal glass with some rhinestone spacers. The bunch features black and white swirls on clear blown Venetian glass with additions of silver, vintage pearls, a vintage plastic flower and leaf, and vintage Japanese black glass drops. Matching asymmetrical crystal earrings. The necklace measures 20”. $99 for the set.

This necklace was born in my busy 75th year (2017) when I set aside a bag of vintage molded glass shells from 1950’s West Germany. They posed a design challenge (how to wire them) until this summer when I said, this is easy, and threw them together! I think you can see how the beads dictated that the jasper semi-precious and vintage yellow (plastic) colors would work together. Length: 19”. Matching earrings. $99 for the set.

 

 

 

 

This Bunch started when pink and aqua met on my desk, so I built on it. I wire-wrapped Venetian blown glass, “sugar” beads as I like to call glass with dotted textured surfaces, and vintage glass leaf stick pins and bunched them. The pink became matte and shiny Czech glass juxtaposed with a bit of aqua. 19” length. Wear with your silver earrings. $79

 

 

 

 

A Max Moment

I worship at Glastonbury Abbey, Hingham, MA, which has beautiful woods and grounds walked by locals and their dogs.  A long-time occurrence each October is the Blessing of the Animals.  Max was a beneficiary this year, under a gorgeous blue sky, along with about two dozen other dogs and some cats.

 

 

Me holding Max tightly so he won’t jump on Abbot Tom who celebrated the Blessing.  The Abbot had just finished asking the human participants what their pets meant to them.  I answered that he is someone I can talk to and no one thinks I am crazy but was upstaged by a 9-year old who said “a lot.”  Clearly the best answer.

 

 

 

 

 

 

On the occasion of my husband Don’s interment in Glastonbury Abbey’s Columbarium, my four sisters funded a bench in his name inscribed with these words:  “In memory of Don Beadle who had a smile for everyone.”  I wanted to connect Don and Max and here is what it looked like.

Drawer 16: Pink

“PINK: One Word Sentence”

 

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment there. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 16/Drawer 16: April 19, 2017: “PINK: One Word Sentence”

A half a dozen years after I started beading, I became a redhead. I stopped wearing pink since it clashed with my hair.  I guess I also stopped buying pink beads, because when I pulled out Drawer 16, I was surprised at its sparsity.  Besides the one bag of pink Czech glass that dominates this necklace, all I had were bits and pieces.  For example, near the clasp, note the two “lacy” round beads and the larger pink ones of the same family as the dominant beads–there were exactly two beads in each plastic bag.  Now there are none.

I have many pretty pink beads: the ones with embedded green leaves (maybe dots to your eyes); vintage faceted clear and pink; and the triangular ones near the centerpiece and in the earrings as well.

The centerpiece is from my large lampwork glass collection and features pink and lavender roses, er, flowers, with leaves. It measures 2.5” and is a real statement!

Riffing off those flowers and leaves, I couldn’t resist designing four clusters of them into the body of the necklace. I wanted each cluster to be unique, so I pulled different shades and styles of leaves and flowers, and randomly assembled them.  It took some time and involved close work, but I found the process very satisfying.

 

Work in progress:

 

Laying out the design.

 

 

 

First cluster is made!

Finally, the clasp is a pink glass circle with a silver toggle.

This is the first and perhaps the only necklace of this Challenge to be strung in thread which is especially adaptable to the clusters in this woven piece. I used three strands on each side to give the three-dimensionality I wanted to the clusters.

This necklace is accompanied by earrings using beads from the necklace. It is 26” long plus a 3.5” dangle.  $129.