GOLDSTONE

“Grand Illusion”

As I reach the end of my second regular blogging year (weekly in 2017; monthly in 2018 and onward…), this Goldstone research produced my first big “Aha!”

For almost 25 years, I have assumed Goldstone was one of my beloved semi-precious stones found in Nature.  It’s called stone, right?  But no!  It is a glass product cooked up by artisans!  I am not disappointed, dear readers, because it still is a fabulous glittering glass and it makes a great necklace.  I am now informed!

The original goldstone manufacturing process was developed in 17th century Venice (and Murano) by the Miotti family and exclusively licensed to them by the Doge.  The ingredients include silica, copper and other metal oxides to produce glass containing tiny crystals of metallic copper.

I have also used blue goldstone which I now know substitutes cobalt for copper.

This 22″ necklace contains two sizes of facteted goldstone with a center bead called a briolette, also faceted, which plays up the glitter very nicely.  Copper clasp and matching earrings.  $69 for the set.

 

 

 

 

Bauxite.

“Crossroads”

I wonder how many of my dear readers said “Bauxite?”

Well, that is what I said when I bought these oddly interesting beads over twenty years ago.  And all I knew was aluminum is made from bauxite.

Turns out there is a small village 60 miles north of Accra, Ghana, Africa, that maintains a relationship with the bauxite-bearing hills just 2 miles away.  For four generations, the families of Abompe have the exclusive market on bauxite beads.  The hills are also the abode of their guardian spirit who protects the village from over-exploitation of the bauxite.

Everyone in the village has a different role in the making of a bead:

  • miners make the 3-hour trip to do their work
  • miners sell lumps of raw material to village families
  • a family member smashes lumps into smaller pieces
  • a different family member forms beads with a knife made from a worn-out machete
  • a kid drills holes in the beads with a spindle contraption made from wood and metal.
  • kids string the beads on wire (recycled from motor vehicle spokes)
  • someone polishes the beads on a grinding stone, resulting in a dull colored bead.
  • The last step is the person who treats the beads with oil to make them shiny.

Back to the necklace I am presenting today,  notice the natural crevices, especially in  the center bead.  BTW, these beads date from the early 1900’s.  The  brick color (from the iron naturally found in bauxite) continues to develop shine from the human necks who have worn these beads for the last century, minus the 20 years they have sat in my apothecary chest drawers.

Other beads in the necklace are Mozambique glass trade beads and yellow-dyed coco beads.  I am feeling compelled to tell you I bought the trade beads in a flea market in Lisbon, Portugal, in 1966 when Mozambique was struggling to gain its independence from Portugal.  Believe me, I had no idea that 30 years later, I would be having fun designing bead necklaces!

The clasp is hammered brass.  The necklace measures 26″ and weighs 6 oz.  $89.

Multi-Strand Woven Necklace with Agate. Puppy update.

“Celtic Twilight”

This necklace has many fascinating beads with too many stories, so I shall focus only on the amazing agate stone centerpiece which has two sides and two personalities.  I will list all the beads for my readers’ information.

Agate really is just a stone living in volcanic host rocks discovered in the third century on the shore of a river in Sicily…think Mt. Etna.

Most agates are hollow and in the form of a geode.  Slices like this one are cut from the outside of the geode; the inside is called drusy quartz.   This agate is probably Brazilian identified by its brown color interlaced with white and gray with striking layered bands.  This is high end agate; ordinary agate is found as gravel in streams.

 

The stone centerpiece pictured here and above inspired this necklace’s colors:  warm and inviting.

 

It can be worn on either side.

 

This is a woven necklace with four strands started at the bottom.  The threads were pulled through the agate and then four threads were each loaded with beads, looped through a main bead, knotted, and so on, up each side.  The clasp is vermeil (14k gold over sterling silver).

 

Here is a list of my favorite beads in the necklace:  yellow and white “sugar beads”, my name, called crackle glass by other beaders; copal, opaque and beigey, which I have often described as young amber; white vintage Japanese cut glass; small white-striped  Venetian trade beads; semi-precious citrine chips; yellow jade; pale yellow vintage pre-war German pressed glass (three are seen at the clasp).

This necklace measures 21″ plus 7″ for the centerpiece and dangles.  It weighs 6.8 ounces.  It is not heavy to me since it is dispersed over 4 strands. Wear your own gold earrings with it.  $145.

Here is Max, the Labradoodle, now 19 weeks old.  Still a pesky puppy, but doing well in  obedience classes.  He is showing loving traits, follows me everywhere, and loves being outside!

July 1, 2018: Faux Pearls and A Real Puppy

“Dreams Die Hard”

I wanted this month’s featured necklace to have a short story because I have a longer story I am eager to share.

“Meet Max,wearing a necklace of abalone shell and pearls made in California by Elaine”

Max is the feature this month: a Labradoodle born on April 12, 2018 and welcomed into my home on June 19. Yellow Lab Maxie passed away on February 3 and it didn’t take me long to realize I missed my canine companion and I hated the quiet house! To fix it, I did a lot of research and found an experienced certified breeder: Marianne Hannagan at Autumn Haze Labradoodles in Newmarket, NH.

The result is an 11-lb cream-colored mellow male puppy who should be 30 lbs at maturity. He is quite delightful even though he exhausted me the first week! Week two is an improvement as we adapt to each other. We have started Obedience Training.

He now sleeps in his crate, assembledlast week by my brother-in-law, and already loves it! He walks into it often. Amazing.

He is full of puppy energy. I think he turns on a go button and runs for60 minutes, then switches the off button and sleeps for more than an hour. Since I’m getting up at 6am, I try to outsmart him by taking him to the garden where I cut, deadhead and weed while he runs up, down and around. Then at 7, it’s food, coffee and the newspaper while he cools down and sleeps. For the rest of the day, it is all about Max outsmarting me as I follow him around, removing low-hanging stuff, re-arranging electrical cords and putting my belongings up high.

Max was in the studio with me as I made this month’s necklace.

It is sweet and quiet, even though it looks so shiny in the photo. It is made with faux pearls which have no background story, in a pleasant pale yellow. The lampwork glass heart is made by Louise Erskine (MA) and is pale yellow at its center surrounded by several shades of soft green.

This necklace is 19” long; the centerpiece is 1.5″ long; the clasp is brass; matching earrings with vermeil earwires are included. $79.

 

March 15: Creative Clasps, Chapter 2

Why bother with unique clasps? Answers: it’s all about the hunt; it’s a challenge to put something creative at the back of the neck; it makes me stretch.

Anyone can use store-bought clasps or even seek out artist-make clasps at the big bead shows. I too use these old stand-bys for the majority of my necklaces. But it is fun to rummage through my drawers and cubbies to see what odd find can be made into a clasp.

I made a decision early on that I didn’t want to create beads. It suited my personality to engage in a hunt for the odd, quirky, overlooked, repurposable, full-of-character item that can function as one part of a clasp—either the circle or the stationary part or the toggle or moving part of the clasp. Yes, I am a collector. My finds are my treasures.

This particular clasp find is a 1960’s vintage plastic circle that was a good color match to the necklace. Plus, it added texture to the already-rich necklace: look closely at the crisscross pattern.

I designed the toggle part of the clasp from sterling silver wire.

The centerpiece is thick handmade glass I purchased in Murano, Italy, with a distinctly aqueous pattern in bold tones of aqua and pale grey with some darker streaks. It is 2” diameter.

In a stroke of great bead karma, Drawer 15 (Grey) contained the palest shade of grey faceted Czech glass beads which are the base of the necklace and speak to the centerpiece. Also note the four artist-made lampwork glass beads bookended with rare vintage Italian oval glass beads in aqua.

Statistics for this necklace follow:

Title: “Murano Waves”

Length: 21” plus centerpiece.

Featured beads are described above. Matching earrings with 7/8” dangle are included.

Price: $110.

 

I made a trip to Murano & Venice in 2013 and blogged about it here on June 29, 2013.

February 15: Cut some Ball Chain, Add a Centerpiece!

My Blog Plan for 2018 is based on a first of the month posting of a special necklace and its story which was also 2017’s plan, only weekly. I also thought I might post a more lighthearted piece of work mid-month.

There is nothing more lighthearted than ball chain. My first exposure to it was a lucky rabbit’s foot I received as a birthday present as a kid. Today such a gift would have PETA picketing outside our family home. I just attached it to my pencil bag and petted it for good luck.

Otherwise folks used it to keep their keys together. Maybe it should have been called key chain? Or dogtag chains? Or pull cord chain?

My selections from the top include fancy sterling silver ball chain with the Egyptian Ankh and Nefertiti pendants.

Then three brass ball chain 24-6” long, with picture jasper, brass and copper, and ceramic snake pendants.

 

 

 

Next, 36″long ball chain with faux Amber resin and lamp-work glass with silver dots.

Finally, ordinary ball chain with picture jasper, lampwork glass and pewter in 24-6″.

Ball chain really keeps prices down!  They range from $11 to $25.

The top two sterling silver are $35 and $38, left to right.

 

 

 

Drawer 51: Reverse Painting & Bumpy Beads

“Meditation on Nature”

My Chinese Apothecary Chest:   in 1994, it arrived via container to California from Hong Kong, where I discovered beading during my husband’s ex-pat assignment. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers, mostly sorted by color.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 51/Drawer 51: December 20, 2017: “Meditation on Nature”

In the middle “double wide” drawer, I found two oddities: four glass beads painted on the inside that I found in a flea market-type setting in Beijing and my bag full of what I call bumpy beads, due to their surface texture, but undoubtedly vintage Bohemian pressed glass.

As I emptied out the bumpy beads, the bright green ones wanted to be near the painted glass so they could pop the green in the landscape scenes. Finding some matte vintage Lucite beads that didn’t overpower the painted beads was easy—Drawer 6 offered a great selection.  I chose three large plus a strand of medium faceted beads to intersperse with the green glass.

Reverse painting originated in Venice in the 13th century, resurfaced as a method of portrait painting in the 19th century, and enchanted Americans as fancy lampshades in 1910.  But it was the Chinese who elevated reverse painting to fine art using very delicate brushes.

This necklace features two beads with a typical landscape of a lake, a boat, a mountain, and a verdant foreground with a tree by the lake. The other two feature an elegant crane in flight and, on the other side, a resting crane.  Imagine packing all that inside a bead that is only ¾” in diameter!

Cranes are a frequent symbol in the Chinese culture since they are a sign of longevity.  A common expression is “heavenly crane” which is a reference to wisdom, the second role of the crane.

I could not find any images of my bumpy bead collection, so my name sticks. I am confident they are the pressed glass Bohemian-style beads made in post-war Germany.  See Drawer 30 for the story (7-26-17).

This necklace is 22.5” long. The clasp is a matte glass odd-shaped circle with a silver toggle.  I made earrings to match.  Since I’ve had the painted beads for so long, I used their original low price and not the average price of $12 to $15 each I saw on Etsy.  Therefore, the set is $79.

Stay tuned…only one more Wednesday in 2017. I plan to end this challenge with panache!!!

 

Drawer 43: Mali Wedding Beads

“First Person Narrator”

Week 43/Drawer 43: October 25, 2017: “First Person Narrator”

In rural Mali, West Africa, a bride is given a strand of these glass wedding beads on the eve of her wedding. It is the Fulani tribe, which is 2.5 million strong, that has decorated their daughters with beads for over a century.  For equally as long, these pressed glass* bulbous beads were expressly made for the African trade in Bohemia*.  The Fulani tribe likes them because their shape is so feminine.  They were originally made in that shape from local clay; the glass ones gave families a new sense of style and status.

I ended up reading a lot about Mali, formerly French Sudan, which became truly independent with democratic elections in 1992. This land-locked country is twice the size of Texas and now has a population of 18 million.  The Sahara Desert takes up 68% of the acreage.  Many tribes are semi-nomads.  And guess who is a minority tribe in the desert?  The famous traders we met in Drawer 12—the Tuaregs!**

It was delightful reading about weddings: only Thursday or Sunday are good luck days for marriage; first a civil marriage in which the bride and groom individually state whether they want a monogamous or polygamous marriage.  Choice of the former has always been limited to single digits.  Then the bride is washed by the female adults; an Islamic ceremony follows; then there are several days of celebrating when family drops by.  Since families are polygamous with many members, they have to introduce themselves to each other!  The groom’s dowry is as many kola nuts (a stimulant) as he can afford which he presents to his father-in-law who shares it with wedding guests.

I admit to being culturally fascinated by Mali, but I must move on to the necklace. It sits on the neck as pictured:  the very center lies flat and, as it curves up to the neck, some beads rest on top of each other, creating a certain movement.  Each bead is separated by an interesting small Venetian glass bead that is clear with thin, closely-placed white stripes, resulting in a milky tone.

Each bead is 1” high and 5/8” diameter. It doesn’t feel heavy to me, but it may be a three-hour necklace for some:  a party necklace; a ladies lunch necklace.  When I put it on after weighing myself, the digital scale did not change.

It is 18” and earrings are included. The clasp and the ear piece are matching hammered silver metal.  $115.

*See Drawer 30 dated 7-26-17 for Bohemia and pressed glass story.

**See Drawer 12 dated 3-22-17 for the Tuareg story.

Drawer 37: Olive

“Empress of the Splendid Season”

My Chinese Apothecary Chest:   in 1994, it arrived via container to California from Hong Kong, where I discovered beading during my husband’s ex-pat assignment.   Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers, mostly sorted by color.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 37/Drawer 37: September 13, 2017: “Empress of the Splendid Season”

I never knew there were so many shades of olive until I looked into the so-named drawer #37. That said, the color of this necklace defies definition, even if the beads were living in my olive drawer!  It is a dusky green with gray tones…

I was pleased to see I had a good amount of American Art Glass which I paired with not one, but two, pieces of Lampwork Glass by Gail Crosman Moore. I balances Gail’s lush work with a common round agate.  A few inches of small faceted Labradorite provided subtle color support to the dusky art glass and brought the necklace to 19” in length.

 

 

The Art Glass is by David Christensen who used to commute from Rhode Island to California to sell his beautiful wares to folks like me. See Drawer 17 in my blog dated 5-3-17 for the Art Glass history.  These beads have the color embedded in the center—there are actually two shades of the color that my photographic inexperience may not allow you to see—and the clear glass surrounding each bead is cut in a diamond shape.

 

 

 

 

 

 

 

Gail’s beads have been featured several times this year; they never fail to mesmerize due to the complexity of their layered colors and their unique shapes.

 

I chose the spacer/extender Labradorite beads to compliment Gail’s and David’s colors. Labradorite is a semi-precious stone that is usually gray-green in color; its attraction is the iridescence that seems to move depending on the angle it is viewed from.  I like how an Intuit lore describes Labradorite:  it fell from the frozen fire of the Aurora Borealis.

This necklace is very tactile due to diverse shapes and a color that calls you in for a closer look and touch.

At 19”, with earrings included, it is priced at $189.

I first introduced a Gail Crosman Moore bead to this blog in 4-11-2016. Others followed in 4-12-17 as well as 5-3-17 and 5-10-17.  To access these blogs, choose the month and year in the  ARCHIVES box on the right side panel of the landing page of priscillabeadle.com.

In a final postscript, my friend Sue, a lover of Labradorite, created a kitchen island top out of this magnificent stone!!!

Drawer 36: LIME: Venetian glass

“Dreaming the Dreams”

My Chinese Apothecary Chest:   in 1994, it arrived via container to California from Hong Kong, where I discovered beading during my husband’s ex-pat assignment.   Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers, mostly sorted by color.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 36/Drawer 36: September 6, 2017: “Dreaming the Dreams”

I’ve expressed my love for Venetian glass many times and the romance continues with this week’s choice. This shade of lime is especially dreamy.  Actually, I do believe the gold foil centers of most of the beads causes the lime to impart a special glow on your neck.  I have worn this twice and the compliments were many!

It is my opinion that Venetian glass is made by true artisans on the Island of Murano, a vaparetto ride from Venice ( details of my visit there in Blog dated June 29, 2013).  Those artisans are the designers and the flame workers:  they both have their hearts involved in achieving outstanding results.  You don’t find any of the Venetian beads I’ve showcased this year in a bead shop (apologies to my local purveyor, Beaucoup Beads in Scituate…I still love to shop with you!), rather you have to go to shows where vendors lay out their best stuff, and make you drool!

Regarding this necklace, the 11 squares trimmed with yellow measure 7/16th of an inch…small, but large enough to be noticed.  There are smaller squares, only 1/4” across, that I used as spacers.  Be sure to notice two round lime beads with gold foil centers that comprise the focal point.  In fact, all these beads except the distinctive square ones have gold foil centers.

This 18.5” necklace comes with matching earrings.  Gold metal clasp.  The set is $109.