Daydream

Created during the Coronavirus Shelter-in-Place which commenced on March 15, 2020 for Massachusetts.

It’s been easy to daydream. There is no pressure to get anything done, no place to go, so why not dream up things to do in my studio?  Or make lists of where to go when we are allowed back out.  Or pull out Unfinished Projects…yikes, I found six pillow tops I quilted back in that phase of my life 15 years ago. Nothing is going to motivate me to finish them, so my Project is to hire somebody else to do so.  Or that intimidating 4′ by 3’canvas which I started 2 or 3 years ago and am now daydreaming how to finish.  And so on…

My worktop has a half-dozen semi-finished necklaces featuring beads from my new bead stash (Helen’s old stash. See January 2020 blog). I daydream over them. I’ll get them done when it warms up a bit. In the meantime, I’ll daydream-design another half-dozen.

“Daydream”

This is April’s necklace. I think the centerpiece is a new-tech collage overlaid on a bead and sealed in resin. I thought it was glass until I examined it carefully. The choice of pearlized Czech glass interspersed with faux turquoise Czech glass feels right with the unusual center bead. Brass clasp. 23.5” long. Wear your gold earrings with it. $49 with free shipping.

 

I checked to see if I had any real turquoise necklaces in my inventory. I found only one and talk about real turquoise! This necklace features four faceted cuts of what is called America’s finest turquoise! It is from Arizona’s Sleeping Beauty mine. Check it out in the January 2019 blog.

 

A MAX MOMENT

Max’s favorite toy delights him as he hogs the ottoman while I read my Wall Street Journal and drink my coffee before our day starts.

 

POSTSCRIPT

I send prayers and empathy to all the great Americans touched by this relentless coronavirus. While many have and more will recover, for those who have not, I wish for the repose of their souls.

 

A Clockwork Orange

 

“Clockwork Orange”

I do believe this necklace will be as much fun to wear as it was to create! Making it was a real adventure in my orange drawer…I know, I should get out more.

It started with the orange and red lampwork* glass hearts by Pumpkin Hill Beads (MA) that I bought last October and have had sitting on my worktable percolating. So, when I organized the large stash of Helen’s beads that I bought last November (see January 1, 2020 blog for story), two strands of red-orange beads fell in love with the hearts. I pulled out the orange drawer and right on top were these vintage Lucite circles in orange and red. It’s so predestined, isn’t it?

I checked the red drawer also and found other goodies, all of them vintage glass or Lucite (plastic used in costume jewelry from 1950-70 and loved by me because the colors are so real.)

The large orange circles are end-capped by square reddish vintage glass with modern hieroglyphic marks. The necklace is longer than usual at 25” because I believe the circle and heart centerpiece demanded some space on the torso. It dangles for 4”.

The centerpiece only wanted to be assembled one way: a red and an orange circle butting up together (how to tie them together was my big challenge) with hearts attached in some pleasing way.

The clasp is an orange circle and a silver toggle. The earrings had to be long also and they emerged with sterling silver earwires that drop 2’’ from the lobe to the tip of the orange heart.

I present my March 1 creation for your aesthetic discernment. $140 for the set plus $7 shipping.

*Lampwork: artist-made glass bead sitting in front of a flame with a mandrel in one hand and glass canes in the other.

 

A MAX MOMENT

BROMANCE is in the air. Max and his best buddy, Ralphie, also a Labradoodle, but a standard sized one, are inseparable and non-stop for an entire five-hour playtime at Sunshine Pet Parlor (Hull, MA). When I bring Max in, Ralphie is already there and he comes running to the gate to greet Max. Max enters and falls on the floor to indicate his submissiveness, jumps up and they dash through the pet door to the backyard for hours of doggie rough and tumble.

 

Petal Power

“Petal Power”

This necklace is very pleasant, pleasing and a joy to wear. Front and center are vintage Lucite flowers, in subdued shades of olive, orange, teal and yellow. Nestled inside the flowers, and appearing in the necklace, are vintage glass beads with multi-colored markings. The basis for the necklace is rock crystal. The clasp is a treat for the back of your neck: an orange circle and a silver metal toggle.

Lucite is clear acrylic plastic first manufactured by Dupont in 1937 for military use. Dupont also offered to license it to several costume jewelry makers who found they could carve it, dye it, and make lightweight jewelry. From the 1940’s until 1970, it was hugely popular.

I like working with rock crystal and use it often. It is pure colorless quartz which doesn’t sound as interesting as rock crystal. It is often seen as a six-sided one or two-inch carved prism of pure light and energy known as the “Perfect Jewel.”  For centuries, metaphysical practicioners have considered rock crystal to be a healing stone.

The necklace is 20” long and the matching earrings hang 1.5” from the top of the earring. The set is $89 and shipping is $7.

 

A MAX MOMENT

On a recent sunny winter’s day, I put Max out for some fresh air. This is Max following an airplane’s flight path. He is a curious puppy, now 21 months old.

 

Happy Valentine’s Day, Dear Readers!

Black and White Glass. Happy New Year.

“Illusory Simplicity”

This necklace began with the black and white polka dot beads. Polka dots are a favorite pattern of mine and once I started this necklace, I couldn’t stop.

There is a Japanese artist I love not only for her colorful bobbed hairstyles nor only for her wild and crazy clothing, but for her life-long obsession with polka dots. In February I will see Yayoi Kusama’s work live at Boston’s contemporary art museum. Kusama is now 90 years old and has featured polka dots in her art since she was 10 years old.

In the necklace pictured above, the plain black beads are onyx; the XL black and white beads are made in India; the clasp is a simple silver metal one. The centerpiece and the two earrings that almost match are lampwork glass made by a friend of mine from Palo Alto in the late 90’s. The earrings drop 1 7/8″ from the ear lobe.  The necklace is 19” long. It weighs 4.5 oz.  $99 for the set.  Free shipping.

“Pattern and Motif”

This black and white necklace has a craft feel. All of these beads were Helen’s (see story below). I made it this week as a companion to the polka dot necklace. Note the pale hints of pink and lavender in the striped beads. The clear glass beads with the squiggles were also used for the earrings.   There is lots of black and white going up one side of the necklace and down the other side. The clasp is pewter. The earrings hang 1 3/4” from the ear lobe. The necklace is 19” long.  It barely moves the scale, weighing only 1.4 oz.  $75 for the set.  Free shipping.

The Best Bead Shopping Ever!

Who ever knew I would return home from a recent trip to California with five bags of beads that made my suitcase ten pounds heavier? My friend Helen is switching from beading to quilting and offered me a unique shopping experience right at the kitchen table!

Once home and as soon as I had the time, I emptied them onto my work surface and they covered it entirely! It was bead heaven. What fun I had sorting them by color and putting them away in the drawers of the apothecary chest! Even more fun were the 15 piles of beads (see tray, top right) that immediately inspired me as future necklace potential. I will let them percolate into necklaces during the next few months. Yesterday I pulled out the glass bead centerpieces and found a half-dozen artist-made lampwork beads to add excitement to the percolation. I’ve promised to send Helen pictures of the finished product.

A Max Moment

Max is wearing the latest couture for groomed dogs. Gone are the bandanas with pinking shear edges. In is the sophisticated bowtie!

Max is now 20 months young.

2020:  May it Bode Well for All of Us!

I am feeling awed that today is 1/1/2020.  I have a deep seated feeling that this year, this decade, may  be good for humanity.  I can’t predict the future, but I can pay attention to my feelings and share them with you.

No matter what 2020 brings, doesn’t 2020 have a nice ring to it?  Let’s make the most of this New Year!

 

The Bunch Series

“Clarity and Subtlety”

A couple of years ago, I had the idea of bunching a group of related-by-color beads with a two-color necklace. I was pleased with the results, so I make one whenever the inspiration strikes. Presented here is November’s offering plus one from this year and another from last year.

They are fun to make, even if the wire work is a tad laborious. But they serve another purpose: I can utilize my special beads which don’t suffice for a full necklace, but can be the highlights of a Bunch Necklace. That is how they are born—open a drawer, find a bag of a half-dozen beauties left from a big project—lay them down on my desk and keep adding more beads until some colors announce that they are happy with each other. Lay those colors on a design board, search other drawers to find what’s missing, then celebrate the “aha” moments as a real necklace designs itself!

Not easy for a beginner, but after 25 years, I’ve learned to look and listen to the beads. They know what colors they want to be beside. Sometimes they surprise me. They have been wrong a few times and I have had to take them apart and return them to their drawers for another chance at greatness.

November’s choice could get you through this year’s holiday parties. The necklace is composed of sparkly black and clear faceted crystal glass with some rhinestone spacers. The bunch features black and white swirls on clear blown Venetian glass with additions of silver, vintage pearls, a vintage plastic flower and leaf, and vintage Japanese black glass drops. Matching asymmetrical crystal earrings. The necklace measures 20”. $99 for the set.

This necklace was born in my busy 75th year (2017) when I set aside a bag of vintage molded glass shells from 1950’s West Germany. They posed a design challenge (how to wire them) until this summer when I said, this is easy, and threw them together! I think you can see how the beads dictated that the jasper semi-precious and vintage yellow (plastic) colors would work together. Length: 19”. Matching earrings. $99 for the set.

 

 

 

 

This Bunch started when pink and aqua met on my desk, so I built on it. I wire-wrapped Venetian blown glass, “sugar” beads as I like to call glass with dotted textured surfaces, and vintage glass leaf stick pins and bunched them. The pink became matte and shiny Czech glass juxtaposed with a bit of aqua. 19” length. Wear with your silver earrings. $79

 

 

 

 

A Max Moment

I worship at Glastonbury Abbey, Hingham, MA, which has beautiful woods and grounds walked by locals and their dogs.  A long-time occurrence each October is the Blessing of the Animals.  Max was a beneficiary this year, under a gorgeous blue sky, along with about two dozen other dogs and some cats.

 

 

Me holding Max tightly so he won’t jump on Abbot Tom who celebrated the Blessing.  The Abbot had just finished asking the human participants what their pets meant to them.  I answered that he is someone I can talk to and no one thinks I am crazy but was upstaged by a 9-year old who said “a lot.”  Clearly the best answer.

 

 

 

 

 

 

On the occasion of my husband Don’s interment in Glastonbury Abbey’s Columbarium, my four sisters funded a bench in his name inscribed with these words:  “In memory of Don Beadle who had a smile for everyone.”  I wanted to connect Don and Max and here is what it looked like.

Blue and Green Colors. Transparent and Opaque Beads.

“Polyglot”

When I found myself stating at a blank page not knowing what to say about this necklace, I telephoned my sister Nancy who is mad for blue and green, on her person, in her home, in the world. “Why?” I asked. “Because they remind me of the sky and grass,” she answered. “They feel fresh, soothing and welcoming.”

This was a happy necklace for me to make.  I love the beads and I agree with my sister.  But I didn’t know quite what to blog since there is no story. So I will tell you about the beads.

This necklace started with three Venetian blown glass beads combining cobalt blue and lime green, inspiring the blue/green mix.

Next, I placed the cobalt and lime drawers on my work table and the necklace practically designed itself.

The two large lime lampwork glass beads were purchased from Marj Bates from nearby Scituate. A strand of vintage frosted faceted glass lime beads was selected as the basic infrastructure to hold the necklace together. I found the funky, chunky glass spirals in the cobalt drawer and do not remember where or when I bought them.

Feels strange not to have any stories about the beads…but allow me to distract you with the clasp. It is 18 karat gold-plated with olive crystals bezeled onto both sides of the circle as well as the ends of the toggle. An elegant ending to the poor necklace with no story!

The earrings feature two different shapes of the blue/green Venetian glass with old but charming blue glass dangles. Warning: it’s an asymmetrical look!

Details:   The necklace measures 20.5” in length. The earrings are 1.75” long from where it hangs in your ear to the bottom of the dangle.  Price:  $119 the set plus shipping (about $14) since I prefer to double box this much glass and ship it priority.

A Max Moment

I am so embarrassed that he has also has nothing special to report this month. He mostly behaved. His hair is growing back far too slowly for me. Some wise guy called him “the dog with a lion’s tail.”  This shot shows his growing obsession with his “blankie”  (security blanket) as well as his goofy tail.

This is my 3000th Necklace

“Persuaded by my Own Rhetoric”

I’ve been telling people about making my 3000th necklace in August and their first reaction is “Amazing” but there is always a second and it is always “How do you know?”

When I started making necklaces 24 years ago, I told myself to run it like a business.  So I bought an accountant’s notebook in which I numbered and named each necklace;  listed all the beads I used and their cost; and noted my labor which I valued at $25 an hour (and still do).  I’m on my fifth notebook.

It only took seven years to reach one thousand; eight years for the next thousand and nine years for the third millennium.  Estimating ten years to achieve 4000, it will be in 2029 and I would be 87 years old.  That is too scary to think about.

I made a necklace similar to this about 15 years ago and I found my “record shot” of it when I recently went thru my files of record shots.  I stopped taking them when Instamatic cameras went out of fashion.  I used the same yellow glass circle and found its twin in my circle storage box.  It was love at a second sight and I had my inspiration for number 3000.

The necklace is two strands of shiny black and yellow seed beads punctuated by black onyx and opaque muted yellow beads.  It is 28″ long and has an antique cone shaped button closure.  The 6″ dangle features the yellow circle and a rectangle of onyx attached with matching seed bead rings.  Earrings are included and are 2″ long.  $109

A Max Moment

This is what Max the Labradoodle looks like without his hair.  His groomer got sick and he had to wait 11 weeks.  In the meantime he got all matted and had to be shaved to a stubble.  I snapped this at the vets and realized he lost one pound of hair.

 

Three Shades of Orange

Usually I control myself from making too many orange necklaces since it is my favorite color and I don’t want to impose it on others. Similarly, I restrain from making pink necklaces because it is a color I don’t like. I suspect the nice pink necklace from my 2017 one-necklace-from-each-color-drawer program sensed my distaste and won’t sell.

The sultry hot weather of the last two weeks of July drove me to the orange drawer where I found materials for not one but three lovelies! My favorite, of course, is the ultra-chunky one of XL-sized faux cinnabar/real resin beads measuring 1.25” from hole to hole. It also has an outrageous and amazing dangle that is 11” long.  It was made by my ophthalmologist’s sister who lives in the Philippines. The resin beads are made in Indonesia, making this a thoroughly Asian necklace.

This fun necklace is 19” long with an 11” dangle. Wear your gold earrings with it. $79.

 

The next chunkiest necklace in my orange madness features three sizes of black water buffalo horn—a sustainable product—with a nice shine to it. The orange beads are glass with millefiori bits inserted during the manufacturing process. I do believe they are made in India. Coordinating earrings with sterling silver ear wires drop 2.5” from the earlobe.

This 19” necklace is $65 for the set.

The last one I wish to present is a two-strand square coral opaque glass seed bead necklace with a special 8-strand dangle. It is special because I made it many years ago in my San Luis Obispo, CA, studio for a project I fell out of love with so I saved the dangle in my tassel box. I love tassels whether made of beads or fabric, whether made by me or not. Many door and drawer knobs in my home are decorated with tassels.

The tassel consists of orange seed beads and milky multi-colored resin beads tied together and connected via a vintage fluted brass bead.

The necklace is 20” long and the tassel adds 4.” Wear your gold earrings with it. $89.

 

A MAX MOMENT

MAX THE LABRADOODLE

15 MONTHS OLD

July’s weather got to Max too. I was enjoying the 5 o’clock hour at my sisters’ beach cottage when he got away from me and dashed for the water. Except there wasn’t any water. It was “dead low tide” which means the tide goes out beyond the rocky beach to expose extensive mud flats. Max was in heaven and jumped around, sprinted up and down, and finally started digging…for clams?…and put his face, front paws and chest into the stinky mud.

 

Meantime, I am down on the rocks calling Max.  Ha! Temporary deafness! Unresponsive!  Finally a neighbor found some kind of a treat, ran down her dock above the mud and waved it in his face. He went for it and she teased him up to the rocks. I brought him back on to the grass, then the street, and turned on the hose until he and I were rid of mud.

The next day, the neighbors came over and we laughed a lot. One gal who had a standard Labradoodle said she remembered more than one occasion when her dog did the same thing.

Whimsey Bird

A touch of whimsy always makes my day.

This lampwork glass bird is one of many whimsical beads Stephanie Sersich, Topsham, Maine, creates.  Sersich today is 43 years old and introduced herself to the bead world at age 25 with a public lecture and an article in the legendary “Lapidary Journal.”   Two big influences contributing to her success are her creative Mom and a major in metalsmithing and painting.  As she says, “I learned engineering and color which led me to making my own glass beads.”

She then developed her own “Spiny Knotting” method to allow her to bind many of her colorful beads into a single bracelet or necklace.  Check them out on her website sssbeads.com.

I have often wondered why I preferred the hunt for fabulous beads like Stephanie’s instead of making them.  It has a lot to do with the fact that my youthful focus was on getting an English degree, living in Paris and Lisbon, and being a corporate HR professional.  I didn’t buy my first bead until I was 50 and living in Hong Kong, entertaining myself while my husband organized his company’s South Asian footprint.  But I loved the hunt!  From the Hong Kong Jade Market to Beijing’s outdoor flea markets, Shanghai’s treasure-filled antique shops, from small entrepreneurial silver shops in Bali, to the giant pieces of turquoise I found in Tibet, and the amazing beads on small Indonesian islands of Sumba, Komodo, and Flores.  For two years, I never thought of making my own beads.  Just acquiring them.

And I can safely say that is true today, 25 years later.  I was determined, however, to put my own creative stamp on each necklace.  To balance color and texture, to be bold, chunky and fearless, but above all to never stop searching for the odd, eccentric, remarkable bead.  And to do that, I expanded my search to fulfill the true definition of a bead:  something with a hole in it which can be strung.

Stephanie’s bird and fiber dangle is 3.5″ and the pink Czech glass bead necklace is 24″.  Featured in the necklace are molded glass pre-war German semi-circle beads plus glass flowers at the end of the necklace and in the earrings.  $139.

 

It’s Springtime! Nightingale’s Eye.

“Nightingale’s Eye”

The nightingale, a European thrush, is unknown to Americans other than through its history as a romantic, even poetic, bird with an amazing night song. (1)

Before I connect this necklace to my chosen title, let me tell you how I choose titles for my necklaces…and why I choose titles.

First, why title a necklace? I started making bead jewelry in 1993 while living in Hong Kong with nothing to do but wander while my husband was on an 18-month work assignment. While wandering, beads seemed to attach themselves to me. Since an acquisition gene controls a part of my life, I just collected beads. Soon I had to hide them under the bed. No surprise, my husband asked me why I had so many beads…Surprisingly, I answered, “To make necklaces!”

Oops. A commitment. Good reply, it turns out. I started at the dining room table in Hong Kong and liked what I did. I had fabulous beads. Still do. So I made some decisions: this is my business; it’s appropriate to make a profit so I can keep buying beads without guilt; I’m now an artist; therefore I treat my work like a painting (Important insight. I had plexiglass boxes made so I can hang my works like two-dimensional art.) Also, I titled my work. Whew, took two paragraphs to answer that one.

How I choose titles. When we returned to Menlo Park from Hong Kong, while reading the NYTimes Book Review, I started underlining catchy phrases. Mind you, only an English major wants to memorialize catchy phrases. Then I listed them on notepaper. I did this for less than a year. I just went to my studio to count the pages–23. I still use them and have never expanded the lists.

When I finish a necklace, I prepare a tag. First is the title. The feeling of the necklace is fresh in my mind as I review the lists and a title that corresponds jumps at me. It’s totally intuitive. So simple.

Back to the nightingale and the necklace. I recently named this necklace and when I started writing today, discovered how an intuitive pick from my long list of titles was the correct karmic choice.

There is a Ukraine legend that a nightingale flew to Ukraine from India and heard only sad songs, so it sang its song to cheer them up. The people responded with happy songs, and since then, nightingales visit Ukraine each spring to hear happy folk songs. This was my spring necklace, created in the winter, correctly, if surprisingly, so named for spring. Full circle.

Details: it is 20.5” long accompanied by earrings that are 1.5” long. $119 the set. The necklace features a lampwork glass heart by Louise Erskine (MA) and two large Venetian blown glass beads. The remaining beads are rock crystal and faceted glass crystals. I love how the aqua of the crystals refracts through the clear beads. Sterling silver clasp.


To hear a nightingale sing, https://www.youtube.com/watch?v=TepTnlERuRo

Max will turn one year on April 12. I shall post a birthday salute!