Whimsey Bird

A touch of whimsy always makes my day.

This lampwork glass bird is one of many whimsical beads Stephanie Sersich, Topsham, Maine, creates.  Sersich today is 43 years old and introduced herself to the bead world at age 25 with a public lecture and an article in the legendary “Lapidary Journal.”   Two big influences contributing to her success are her creative Mom and a major in metalsmithing and painting.  As she says, “I learned engineering and color which led me to making my own glass beads.”

She then developed her own “Spiny Knotting” method to allow her to bind many of her colorful beads into a single bracelet or necklace.  Check them out on her website sssbeads.com.

I have often wondered why I preferred the hunt for fabulous beads like Stephanie’s instead of making them.  It has a lot to do with the fact that my youthful focus was on getting an English degree, living in Paris and Lisbon, and being a corporate HR professional.  I didn’t buy my first bead until I was 50 and living in Hong Kong, entertaining myself while my husband organized his company’s South Asian footprint.  But I loved the hunt!  From the Hong Kong Jade Market to Beijing’s outdoor flea markets, Shanghai’s treasure-filled antique shops, from small entrepreneurial silver shops in Bali, to the giant pieces of turquoise I found in Tibet, and the amazing beads on small Indonesian islands of Sumba, Komodo, and Flores.  For two years, I never thought of making my own beads.  Just acquiring them.

And I can safely say that is true today, 25 years later.  I was determined, however, to put my own creative stamp on each necklace.  To balance color and texture, to be bold, chunky and fearless, but above all to never stop searching for the odd, eccentric, remarkable bead.  And to do that, I expanded my search to fulfill the true definition of a bead:  something with a hole in it which can be strung.

Stephanie’s bird and fiber dangle is 3.5″ and the pink Czech glass bead necklace is 24″.  Featured in the necklace are molded glass pre-war German semi-circle beads plus glass flowers at the end of the necklace and in the earrings.  $139.

 

Drawer 25: Iridescent

  Week 25/Drawer 25: June 21, 2017: “I Believe I can Fly”

 I’ve made perhaps ten of these complicated woven necklaces in my 22 years as a bead jewelry artist. As a beginner in the 90’s, I took lots of classes from a lot of fabulous well-known instructors.  I loved learning about other artists’ styles and methods, hearing their tips, fondling their samples, and buying their beads and books.  For me, there is no better way to spend time.

helen dietze (always lower case) gave classes in making “Ambassadors”—knotted woven seed bead chunks about 2” x 6” strung on thread which was tied in a knot and worn long. As named, she took them on her travels and gave them away.  She also taught her techniques, including an advanced class where the Ambassador was used to encase a beautiful extraordinary object preferably found in exotic places.  These creations were meant to exemplify the “more is better” theory.  This class was made for me!

 

 

 

 

So, helen, here is what you taught me 20 years ago, adapted to my style, and an appropriate challenge for Week 25, almost halfway to the end; almost to my 75th birthday!

 

 

 

 

A bit of a bio of helen: Born in perhaps 1919 (she disallowed discussions of her age); she studied art at the Rudolph Schaeffer School of Color and Design in San Francisco; was widowed in 1959; lived in a house in San Leandro, No. California, which was packed to the rafters with mosaics, yarns, looms, and beads.  Small of stature, she was tall in presence:  perfect make-up with signature red lipstick; hair up in a chignon; black clothing; and always a major necklace on her neck.  She was our Georgia O’Keefe.  helen passed away in 2004, at approximately age 85.  Needless to say, the crowds at her memorial were huge.

In closeup, above, in step 5.

To describe my necklace, I shall do it in terms of the construction process (usually called my design process):

  1. Go to the bottom of the necklace and find the knot of beads. This section, about 2” x 2” is the “Ambassador” starting point. I added the sterling silver fish and the pewter frog. Attach it to the 4” long shell with some holes supplied by Mother Nature.
  2. I weave and knot my way up and over the shell strip using multi-color beads of varying sizes. My principal colors reflect the iridescent shell—greens, pinks and greys in all shades. Blues and reds thrown in for punch.
  3. Practicing “more is better”, I add another shell, 2” at its longest. By now I am working with four strands of strong bead thread on each side.
  4. I start up one side. I string 2-3” on two strands and knot them. I string a new strand, add a few beads to one of the strand I just knotted. Repeat over and over. But I only go up 3-4” on this one side.
  5. Then I turn my attention to the other side, always consulting side 1 to assure balance by bulk and color.
  6. Note the Guatemalan fish dangles at about the 4” mark. Here I terminate one strand on each side so I can progress with three strands.
  7. I work narrower as I round the neck area, tie off and cut one more strand to finish with only two.
  8. The darling frog button gets attached on side 2 and I string medium size Czech glass on the loop side, completing the closure and the necklace. It took 22 hours by my best guess. Did you find the fourth fish dangle?

This woven necklace is 22.5” long. The centerpiece section is 7”.  $139.

Drawer 16: Pink

“PINK: One Word Sentence”

 

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment there. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 16/Drawer 16: April 19, 2017: “PINK: One Word Sentence”

A half a dozen years after I started beading, I became a redhead. I stopped wearing pink since it clashed with my hair.  I guess I also stopped buying pink beads, because when I pulled out Drawer 16, I was surprised at its sparsity.  Besides the one bag of pink Czech glass that dominates this necklace, all I had were bits and pieces.  For example, near the clasp, note the two “lacy” round beads and the larger pink ones of the same family as the dominant beads–there were exactly two beads in each plastic bag.  Now there are none.

I have many pretty pink beads: the ones with embedded green leaves (maybe dots to your eyes); vintage faceted clear and pink; and the triangular ones near the centerpiece and in the earrings as well.

The centerpiece is from my large lampwork glass collection and features pink and lavender roses, er, flowers, with leaves. It measures 2.5” and is a real statement!

Riffing off those flowers and leaves, I couldn’t resist designing four clusters of them into the body of the necklace. I wanted each cluster to be unique, so I pulled different shades and styles of leaves and flowers, and randomly assembled them.  It took some time and involved close work, but I found the process very satisfying.

 

Work in progress:

 

Laying out the design.

 

 

 

First cluster is made!

Finally, the clasp is a pink glass circle with a silver toggle.

This is the first and perhaps the only necklace of this Challenge to be strung in thread which is especially adaptable to the clusters in this woven piece. I used three strands on each side to give the three-dimensionality I wanted to the clusters.

This necklace is accompanied by earrings using beads from the necklace. It is 26” long plus a 3.5” dangle.  $129.