Drawer 25: Iridescent

  Week 25/Drawer 25: June 21, 2017: “I Believe I can Fly”

 I’ve made perhaps ten of these complicated woven necklaces in my 22 years as a bead jewelry artist. As a beginner in the 90’s, I took lots of classes from a lot of fabulous well-known instructors.  I loved learning about other artists’ styles and methods, hearing their tips, fondling their samples, and buying their beads and books.  For me, there is no better way to spend time.

helen dietze (always lower case) gave classes in making “Ambassadors”—knotted woven seed bead chunks about 2” x 6” strung on thread which was tied in a knot and worn long. As named, she took them on her travels and gave them away.  She also taught her techniques, including an advanced class where the Ambassador was used to encase a beautiful extraordinary object preferably found in exotic places.  These creations were meant to exemplify the “more is better” theory.  This class was made for me!

 

 

 

 

So, helen, here is what you taught me 20 years ago, adapted to my style, and an appropriate challenge for Week 25, almost halfway to the end; almost to my 75th birthday!

 

 

 

 

A bit of a bio of helen: Born in perhaps 1919 (she disallowed discussions of her age); she studied art at the Rudolph Schaeffer School of Color and Design in San Francisco; was widowed in 1959; lived in a house in San Leandro, No. California, which was packed to the rafters with mosaics, yarns, looms, and beads.  Small of stature, she was tall in presence:  perfect make-up with signature red lipstick; hair up in a chignon; black clothing; and always a major necklace on her neck.  She was our Georgia O’Keefe.  helen passed away in 2004, at approximately age 85.  Needless to say, the crowds at her memorial were huge.

In closeup, above, in step 5.

To describe my necklace, I shall do it in terms of the construction process (usually called my design process):

  1. Go to the bottom of the necklace and find the knot of beads. This section, about 2” x 2” is the “Ambassador” starting point. I added the sterling silver fish and the pewter frog. Attach it to the 4” long shell with some holes supplied by Mother Nature.
  2. I weave and knot my way up and over the shell strip using multi-color beads of varying sizes. My principal colors reflect the iridescent shell—greens, pinks and greys in all shades. Blues and reds thrown in for punch.
  3. Practicing “more is better”, I add another shell, 2” at its longest. By now I am working with four strands of strong bead thread on each side.
  4. I start up one side. I string 2-3” on two strands and knot them. I string a new strand, add a few beads to one of the strand I just knotted. Repeat over and over. But I only go up 3-4” on this one side.
  5. Then I turn my attention to the other side, always consulting side 1 to assure balance by bulk and color.
  6. Note the Guatemalan fish dangles at about the 4” mark. Here I terminate one strand on each side so I can progress with three strands.
  7. I work narrower as I round the neck area, tie off and cut one more strand to finish with only two.
  8. The darling frog button gets attached on side 2 and I string medium size Czech glass on the loop side, completing the closure and the necklace. It took 22 hours by my best guess. Did you find the fourth fish dangle?

This woven necklace is 22.5” long. The centerpiece section is 7”.  $139.

Drawer 24: Black (with other colors). Revised to show color😘

“Grand Illusion”

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers, sorted by color.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 24/Drawer 24: June 14, 2017: “Grand Illusion”

Two weeks ago, I stated there were four black drawers. Now there are three!

I re-organized the contents into three drawers after tossing the ugly, donating the unwanted, and re-assigning others. I put iridescent beads, mostly shells, into Drawer 25 which you will see next week in a necklace of a very different style!

Let’s focus on this week’s design: Venetian glass.  It’s been a staple of mine for many years and I am down to a small supply left in Drawers 1 and 2.  I paired the Venetian with another love:  American Art glass by David Christensen.  See Week 17 for details on American Art Glass.

It is a mildly asymmetrical necklace but balanced so it will sit prettily on the neck. I needed some very shiny and medium sized beads for the top half and found those qualities in some plastic beads I bought at a yard sale back in the day when you could find real treasures in yard sales.

The clasp has a starring role with a fabulous oval piece of art glass and a sterling silver toggle I fashioned. Two perfect pieces of art glass found their way to the earrings.  All in all, a very satisfying creation.  20” long.  $99 for the set.

 

Drawer 22: Black (Matte)

“22nd Century”

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment there. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 22/Drawer 22: May 31, 2017: “22nd Century”

There are four black drawers! As I have stated, I am re-organizing/tidying/tossing as I go through my 52 bead drawers.  I approached the four black drawers, three sections each, with enthusiasm, wearing my organizer-in-chief hat.

Drawer 22 ended up with all the matte black beads and the shiny ones went to Drawer 23; I am still sorting the next two black drawers, deciding how to proceed since they are black with other colors. I guess I just named them!

My discovery in #22 were the meteorite beads pictured above. I thought they were lava beads which I have worked with for several years, but the label said meteorite…that sent me straight to Google.  Meteorite is a first for me.  As you can imagine, a meteor entered out atmosphere 50,000 years ago, crashed and splintered and lingered, and only 50 years ago, ancient gravesites were found in the Midwest with beads formed from the iron nickel fragments.  With the emergence of treasure-hunters with metal detectors, meteorite made its way to bead shows and my Drawer 22.

Black and chunky, these beads are coated to protect them from wear and oxidation. I test-drove this necklace and it is comfortable and smooth on the neck.  It is of medium weight, perfect for wearing to an event as opposed to all day.  It will start many conversations!

I added a few matte onyx beads and a pewter clasp to make the back as much fun as the front! Matching earrings in sterling silver, lava and matte onyx.  The set is $89.  The necklace measures 19.5”.

Drawer 18: Garnet & Mahogany

“I Do Give a Damn”

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment there. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 18/Drawer 18: May 3, 2017: “I do Give a Damn”

 

I think the reason I like garnet is because it is so ruby-esque, which is my birthstone, but so much more affordable than the precious gemstone that ruby is. Although the strands I found in Drawer 18 were cut much smaller than I usually work with, their rich color and the bail by Gita Maria which lay hidden in the drawer, convinced me this would be a nice necklace!

I used three strands for this necklace; two of them I personally bought in Jaipur, India, in 1994. While living in Hong Kong, I joined the American Women’s Club which gave cultural lectures and sponsored trips.  I eagerly absorbed it all, including a trip to India:  New Delhi, the Taj Mahal and Jaipur.  Envision 52 American women driving city to city.  At every stop, local vendors rushed our buses, offering their wares.  One of us was wearing sneakers with the flashing lights (some trends fortunately didn’t stick!), and she had a major following of groupie kids and vendors whom she mesmerized!

Jaipur is a major gem cutting location, so I set out, alone—it was perfectly safe—to an address recommended to me. It was closed but people managed to tell me it was Ramadan and at sunset it would re-open.  I waited for about an hour, did my haggling, and purchased a half dozen strands, including the two garnet we see above.  I returned to my hotel in a taxi in crazy traffic.  At one point, a camel pulling a flatbed transport wagon was right beside me!  Elephants were also transporting, not in the main street, but on a sort of frontage road.  A great memory!

The Gita Maria (Oregon) bail is made of garnet-colored glass enamel over sterling silver and holds a sterling silver crown to celebrate that we are all princesses!

 

Here is a pair of Gita Maria octopus earrings from my studio.  Sterling silver earwires and Swarovski crystals.  $45.

 

 

 

 

Garnet has been used for gemstones and abrasives since the Bronze Age. Its Latin name, “granatus”, is due to the stone’s similarity to pomegranate seeds.

This necklace is 20” long with silver plated brass beads and clasp. Wear your sterling silver earrings.  $89.

Drawer 3: Rock crystal

drawer3-3

“From This Moment On”

My Apothecary Chest: It arrived via container to California from Hong Kong in 1994 after an ex-pat assignment there; where I discovered beading; my repository of many beads.

2017 Challenge:  from 52 drawers of Beads; Create a Necklace a Week, using only the Beads from one Drawer at a time.  Voila!  52 Necklaces!

Week 3/Drawer 3: January 18, 2017: “From This Moment On”

From the first moment I saw the clear icy depth of a strand of rock crystal beads, I was smitten. I soon discovered everyone else is too since rock crystal, or quartz crystal, has metaphysical powers:  it is a conductor of energy; it is used for healing and meditation.

My most favorite pairings for rock crystal are sterling silver or pearls. I designed this necklace with hammered sterling circles and ovals plus a clasp by the same artist.  I found a small supply of this nice sterling while searching for something else and they practically flew over to the rock crystal strand I had chosen to be the representative of Drawer 3.  Necklaces often evolve that way for me!

The centerpiece is a crystal prism encapsulated in sterling silver wire, wrapped by my www.hullartists.com friend, Terry McMahon, who can be found at www.treesasstudio.com.

Wear this looker with your own sterling silver earrings. They can be large or small, but bold, if possible, to hold their own with this seemingly simple necklace.  It is 22” long plus a 1 3/4” centerpiece.  $111.00

Homage to Lampwork Glass Artist Beads

Local women's lampwork beads feature in this necklace with silver clasp. 20" long, $220

Local women artist’s lampwork beads feature in this necklace with silver clasp.
20″ long, $220

 

This wondrous necklace is sort of like a “One-of-a-Kind” (see blog dated Aug 7, 2013, “Oh, Oh, OK” for an explanation), but then again it’s not.  It is an OOK if I count only half of the beads as OOK.  It is not an OOK since most of the beads are artist made.

Enough of acronyms!  Let us explore this amazing necklace full of lampwork glass beads made by some awesome women!

Envision long sticks of colored glass, a source of fire coming from a mini blowtorch on a stand in front of the artist, and a metal mandrel.  Sit our artist down facing the fire, mandrel in the dominant hand to shape the glass into a bead, and, with her other hand, manipulating the glass rod as it heats up and goes molten.  This is Lampwork Glass.

I collect these beads as I go to bead shows.  Not for me, even though I am an incurable collector, but for you, wearers of my necklaces with these precious beads in them.

Identifying the artists whose beads make up this necklace is a special pleasure.  Sheila Checkoway’s beads and small fat discs feature first; starting from the silver clasp, after the sterling silver bar, are two of five of her beads followed by a small fat disc, one of six by this Massachusetts native.

Then we see one of two umbrella-shaped discs by Maureen Henriques of Pumpkin Hill Beads (MA) with a polka dot circle by Kennebunkport Bead Art.

Now find a Gail Crosman Moore (MA) bead, chubby and squat with bumps all around and more bumpy stuff happening on top.  Gorgeous in its excess!

Next is a modest disc (one of these gals has to do “modest” to ground all these blockbusters!) by “Two Sisters” whose shop in Carmel-by-the-Sea in CA is not to be missed!  Another Henriques umbrella shading a Two Sisters disc follow.

Then three Venetian glass beads which are blown (see blog dated Sept 20, 2013, “Murano Island Rising”) in a pale grey green.

The centerpiece lampwork is a fabulous design by Gail Crosman Moore whom I discovered in a show in Oakland, CA, over ten years ago.  I was impressed not only with her work but by the fact she lived in Western Massachusetts!  Now she has a shop in Cape Cod at 174 Commercial St, Provincetown.

Starting up the other side, notice a faux silver bead (cheap but high style) plus more Sheila and Venetian beads, back up to the silver bar.

The clasp is another piece of work, as they say colloquially.  An artful hook, although not artist-made, grasps a glass polka dot circle by Kennebunkport Bead Art.

This was a slowly percolating necklace that took years to come together.  The color is odd but soft and surprisingly neutral.  Perhaps it is best described as teal grey.  Gail’s beads add a teal blue.  My luck held out with the seed beads I found in my drawer—an interesting blueish green teal in matte Czech glass, not shiny.

The necklace is for sale.  No way could I hoard this!  It is for sale in my studio for $220.  Add $15 for mailing and insurance and it is yours.  It measures 20” long.

 

 

BROOCH FANTASIA

I will accept commissions combining your favorite brooch, contemporary or family antique, with my orphan pearls and appropriate other beads, probably seed beads and crystals.  The cost would be approximately $139.  We can exchange photos of your brooch and I’ll give you a firm quote.

I will accept commissions combining your favorite brooch, contemporary or family antique, with my orphan pearls and appropriate other beads, probably seed beads and crystals. The cost would be approximately $139. We can exchange photos of your brooch and I’ll give you a firm quote.

 

 

Time for something different! This is a beautiful Beadleful necklace and I am not ashamed of my pride because every time I wear it, I get many compliments. I shall tell you its story because I would like you to have the opportunity to have one of your own.

Over the years, when pearls, the freshwater variety I love to use, wouldn’t fit through my regular beading wire, I put them in a jar. Around the same time, I acquired this colorful brooch that my friend, Kyung and I bought in Christian Lacroix’ shop in the exclusive Carleton Hotel on La Croisette in Cannes. While we browsed, our husbands waited outside by the sea, watching the bathers. Needless to say, they weren’t bored.

We each found an irresistible brooch featured in Lacroix’ end-of-season sale. I used to wear mine to work on my suit lapel–so 1990’s. Fashion changed; I retired; the brooch went into my drawer.

Around 2010, my last year in California, I put the orphan pearls and the neglected brooch together. The pearls are of all sizes and shapes, drawn randomly from my stash, but strung on finer than normal bead wire. I used Japanese glass seed beads, fine and shiny, as well as crystals to add interest to the pearls. It takes five strands at a minimum to look good! I made an investment in a real gold or sterling silver clasp because this is a personal heirloom.

And I can do the same for you.

I will accept commissions combining your favorite brooch, contemporary or family antique, with my orphan pearls and appropriate other beads, probably seed beads and crystals. The cost would be approximately $139. We can exchange photos of your brooch and I’ll give you a firm quote. There’s only one disclosure; you must be aware that the fine bead wire I use means it’s fairly fragile, so handle with care.

 

Caption: This 18” long necklace of pearls and a favorite brooch is a show-stopper.

Trunk Show

Trunk Show December 6 & 7 2013

Hail West Coasters!

Hope to see you for my THIRD ANNUAL TRUNK SHOW…

 

Treasure

The two strand "Treasure" necklace is strung with heavy turquoise thread and “woven” through three turquoise beads every few inches.  It ends with a coral clasp around a vintage button. It measures 21” and the centerpiece is 3” long.  It is priced at $155 which includes shipping and insurance.

The two strand “Treasure” necklace is strung with heavy turquoise thread and “woven” through three turquoise beads every few inches. It ends with a coral clasp around a vintage button.
It measures 21” and the centerpiece is 3” long. It is priced at $155 which includes shipping and insurance.

 

Back in 1995 when I was learning how to make necklaces, the second class I took was called “Treasure Necklace” and I remembered how much I love to make them when my friend Penny gave me a broken down necklace of turquoise, jasper and pearls.

A treasure necklace is full of special things.  This necklace has Penny’s beads, supplanted by coral twigs, Czech glass reddish barrel beads, coral seed beads, a button clasp from my Mom’s button box…and those are minor compared to the centerpiece gems.

The dangling centerpieces of a ring and a Buddha are amazing!

The ring has a silver setting with decorative sterling silver balls around the base set with a coral bead, commonly traded among Tibetans.  I bought it from a Tibetan woman in an informal market in front of the fabulous Jokhang Temple in Barkhor Square, Lhasa, the capital of Tibet.  While we were bartering, pilgrims behind us circumnavigated the temple which is a holy destination for Tibetans.

The ring is so large, it was obviously her husband’s whom I envisioned as a warrior of great girth.  I bought it in 1993 since when it has been a much touched talisman; but I could never figure how to place it in a necklace…until now. To say it is a treasure underestimates it.

Well, since I am a person  compelled to fill spaces, I stumbled across the “Laughing Buddha” and didn’t he just fit in the ……space?!  It is a contemporary bead, bought locally and made of resin.  However this Buddha has a long history:  in the Song Dynasty, China, in 1000 AD, the Laughing Buddha, symbol of naïve geniality, became the most popular god in Eastern Asia.

The two strand necklace is strung with heavy turquoise thread and “woven” through three of Penny’s turquoise beads every few inches.  It ends with a coral clasp around a vintage button.

It measures 21” and the centerpiece is 3” long.  It is priced at $155 which includes shipping and insurance.

 

MURANO ISLAND RISING IN MY STUDIO

"Social Success"

Titled, “Social Success”, this creation joins Murano glass beads with six 1960’s vintage Lucite beads. The clasp is dyed and carved from sustainable water buffalo horn with a toggle I made from sterling silver wire. The necklace is 20″ and is accompanied by Murano glass asymmetrical earrings of one square silver foil glass bead and one twisted bead tied together with black seed beads. The larger bead, a tad over 1″, hangs 2″ from the ear piercing. The square bead earring is 1.75″ long.
The set is priced at $148 including shipping costs.

I took a baby step this summer and designed a very small Murano pendant (see previous posting) from my new acquisitions. Now taking another step with this lively necklace in lime and clear/silver foil-lined glass beads from Murano. This winter: some real adult steps working with the big boisterous boys; stay tuned!

I usually start designing in my imagination as I am buying beads and this purchase was no different, except for one big thing: they were going to be two separate necklaces. But the beads bonded in my suitcase during the rest of my Italian journey and emerged as one necklace with black seed beads to make the lime and clear colors pop.

The necklace was a bit short so I searched for appropriate companions to join the Murano glass and found just six of these 1960’s vintage Lucite (fancy for plastic). Serendipity! Ditto for the clasp: dyed horn carved from sustainable water buffalo horns and a toggle I made from sterling silver wire. The necklace is 20″ and is accompanied by asymmetrical earrings in silver foil glass beads, also from Murano. Asymmetrical, in this case, means I had one square bead and one twisted bead tied together with black seed beads. The larger bead is a tad over 1″ and the earring hangs 2″ from the ear-piercing. The square bead earring is 1.75″ in length.

The set is priced at $148 and includes mailing and shipping costs. I have titled this creation “Social Success”.