Drawer 40: Freshwater Pearls: White

 

“Tell it a Little More Than it is”

My Chinese Apothecary Chest:   in 1994, it arrived via container to California from Hong Kong, where I discovered beading during my husband’s ex-pat assignment.   Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers, mostly sorted by color.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 40/Drawer 40: October 4, 2017: “Tell it a Little More than it is”

Once upon a time, pearls were stratospherically expensive. Only cultured pearls existed; think of black Tahitian pearls harvested by divers, or the Japanese Akoya Oyster pearls in those luscious Mikimoto ads.

Ah, the legends: New York jeweler Jacob Driver was said to have sold a rope (36” to 54”)of pearls in the 1890s for $1.5 million.  Pearls were the most valued type of jewel in the Golden Age (See blog dated July 12, 2017 for more of the excesses of the Golden Age.) Jacques Cartier famously bought the NYC mansion where his iconic Fifth Ave store still stands for a double strand of matched pearls valued at $1 million in 1917.

That was then; this is now. In 1979, Japan and the USA developed a method to farm pearls by placing an irritating microscopic object in a mussel, forcing it to develop a nacreous coating over the object.  Freshwater pearls became available to all at reasonable cost.  In the USA, sadly, there is only one still in business, in Tennessee.  China has become the low cost producer and market leader.

“Nacreous” and “iridescent” are the words used to describe freshwater pearls, just like the inside of a mussel shell. There are many colors and shapes.

This necklace features nicely rounded large pearls in a natural white lustre. I wanted to use the copper ceramic piece to hold the pearl strands together, so since six lengths could be jammed in, the resulting necklace has three strands.  I added some dyed copper freshwater pearls in pear shapes as dangles.  And if you look at the clasp end of the necklace, there are some small sparkling glass beads faceted on the top and flat on the bottom—made in the USA for the millinery industry in the 1920s (again, see the July 12 blog!).

The ceramic piece is made by Barbara Hanselman who describes herself as a claysmith. She is smitten with creating in clay and has a fabulous website.  She is based in Cherry Hill, NJ.

This necklace is 22” long and the dangles add 4”.  Copper designer clasp.  Earrings on copper earwires with a pearl and a millinery bead are included.  The set is $149.

Drawer 36: LIME: Venetian glass

“Dreaming the Dreams”

My Chinese Apothecary Chest:   in 1994, it arrived via container to California from Hong Kong, where I discovered beading during my husband’s ex-pat assignment.   Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers, mostly sorted by color.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 36/Drawer 36: September 6, 2017: “Dreaming the Dreams”

I’ve expressed my love for Venetian glass many times and the romance continues with this week’s choice. This shade of lime is especially dreamy.  Actually, I do believe the gold foil centers of most of the beads causes the lime to impart a special glow on your neck.  I have worn this twice and the compliments were many!

It is my opinion that Venetian glass is made by true artisans on the Island of Murano, a vaparetto ride from Venice ( details of my visit there in Blog dated June 29, 2013).  Those artisans are the designers and the flame workers:  they both have their hearts involved in achieving outstanding results.  You don’t find any of the Venetian beads I’ve showcased this year in a bead shop (apologies to my local purveyor, Beaucoup Beads in Scituate…I still love to shop with you!), rather you have to go to shows where vendors lay out their best stuff, and make you drool!

Regarding this necklace, the 11 squares trimmed with yellow measure 7/16th of an inch…small, but large enough to be noticed.  There are smaller squares, only 1/4” across, that I used as spacers.  Be sure to notice two round lime beads with gold foil centers that comprise the focal point.  In fact, all these beads except the distinctive square ones have gold foil centers.

This 18.5” necklace comes with matching earrings.  Gold metal clasp.  The set is $109.

Drawer 33: Teal Blue

“Yin and Yang”

My Chinese Apothecary Chest:   in 1994, it arrived via container to California from Hong Kong, where I discovered beading during my husband’s ex-pat assignment.   Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers, mostly sorted by color.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 33/Drawer 33: August 16, 2017: “Yin and Yang”

I’m really going out on a limb this week as I attempt to make a case that my necklace embodies the principle of Yin and Yang. I will state it was an after-the-fact discovery as I stared at my finished necklace while searching for a title from my collection of pithy phrases.

Yin and Yang is a fundamental, ancient Chinese philosophy which states all things exist as inseparable and contradictory opposites (young-old, dark-light, etc.). These opposites attract and complement each other, and as the icon’s small dots  illustrate, each side has an element of the other…which is my necklace!

 

What I didn’t know until I researched it was Yin is feminine, black, provides spirit, is the winter solstice, orange, a tiger and many other attributes. Yang is masculine, white, provides form, is the summer solstice, blue, a dragon, and more.  I think I did marry the opposites by placing one after another, allowing them to attract and complement each other.

The necklace features two melon beads—marked by a distinctive ridged surface which gives the look of a melon. The larger ones are antique dyed onyx melon beads carved in Bali and its ridges reflect the roughed-up onyx au naturel.  The smaller beads are Chinese silver—they add lots of nickel which accounts for the dark silver color—with blue enamel applied to the ridges.  One example of yin and yang is the blue teal of the dyed onyx becomes the blue teal of the Chinese ridge.

I used small sterling silver spacers plus sterling silver wire to attach the centerpiece bead plus a hand-crafted sterling clasp.

The necklace is 20” long and the center dangle falls 1.75”. Wear your silver earrings with it; large or small will look good.  It is $99.

P.S.: I bought the onyx beads in Bali during our 1993-4 Southeast Asia sojourn.  Don and I returned to Bali about five years later.  It is idyllic and beautiful.  I will declare it to be my favorite Southeast Asia destination.  If you are curious, Venice is my favorite Western destination!

 

Drawer 31: Light-Medium Blue

“Something of an Asterick”

 Just like last week, I am focusing on the centerpiece while I am in the blue drawer. Only this time the centerpiece has a lot of orange, so, dear readers, I must cheat.  I must take the orange drops from Drawer 19 to make a great necklace.  Orange and blue are at opposite ends of the color wheel which makes them very compatible…not always true in our human relationships.

My compliments to fellow New Englander Stephanie Sersich (Topsham, Maine) for her wonderful Lampwork starfish. I met Stephanie at one of those gigantic bead shows in Oakland, CA, and found her here three years ago in the small but fabulous show the Bead Society holds each October in Watertown, MA.  Her starfish was alluring to me on all counts:  slightly irregular shape; polka dots, so many layers of scintillating colors!!!

 

 

 

 

 

 

This is an asymmetrical necklace. They are a lot of fun to make and a challenge to balance.  I often choose to go asymmetrical when I have a few stunning beads I want to highlight.  In this piece, there were an excess of fabulous blue beads, none totaling more than a half-dozen.  So I gave it a whirl.

Here is a description of those beads, starting from the clasp: flat rectangular vintage medium blue; two American Art Glass with lampwork glass in between.  Then the most challenging section to balance:  two odd-shapes with a large Art Glass in between across from one odd-shape balanced with periwinkle ceramic beads. The polka dot lampwork beads were irresistible!   The only beads I had volumes of were the orange Czech glass drops, so they became the glue as well as the “pop” that holds the necklace together.

Only you, the viewer, knows if all this asymmetry worked.

The necklace is 18” and the starfish dangles 2”. The clasp is an orange glass circle with a silver toggle.  Matching earrings of American Art Glass and orange drops.  The set is $145.

See Week 17 for details on American Art Glass.

Note to Leticia S:  your necklace is on the way!!!

Drawer 28: Taupe

“Social Circumstances”

My Chinese Apothecary Chest:   in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment.   Serves as the repository for my beads. Handcrafted. It has 52 Drawers, mostly sorted by color.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 28/Drawer 28: July 12, 2017: “Social Circumstances” 

Twenty years ago, at the San Mateo (CA) Gem & Bead Show, I noted a large bag of sparkling metallic beads sold by the pound. I was impressed that they were labeled as “1890’s glass briolettes made in France”.  I said I would take the bag.  The vendor said “That’s $50.”  I told him I would think about it.  $50 was a lot of money to a beginning beader.  But I was a Francophile also, having lived in Paris for a year after college.  I quickly returned and paid for my exciting find.

The 1890’s were La Belle Époque in Paris and ladies wore outlandish hats, so I figured these beads were used in the millinery trade. Milliners, largely female, were the “queens of fashion” in that era and thus could dictate the next trend, charge high prices, announce the next novelty, charge high prices, ad infinitum.  There were about 1000 milliners.  Supporting them were 24,000 fleuristes who made the flower adornment, as well as many plumassiers  who worked with bird feathers.

These women, especially the milliners, were befriended by artists and accepted in high society. Degas painted 27 known canvases where the hat captured the viewer’s eye.  Recall also that the character Mimi in Puccini’s “La Boheme”, premiered in 1896, was a fleuriste.  Coco Chanel, born in 1883, became a licensed milliner in 1910.

Alas, the millinery fashion rage turned into a sensitive subject when it became known how many birds were killed for the sake of a hat. Then the outbreak of World War I in 1914 changed the world and millinery was no longer necessary for everyday life.

Beads like these briolettes played a very small role compared to flowers and feathers. But I am happy to have made this two-strand necklace and still have a lot of them left in Drawer 28 for future projects.

A briolette is an elongated pear-shaped gemstone cut with triangular facets and top-drilled to hang like a bead. They are quite brilliant, reflecting light from any angle.  To add to the bead’s sparkle, I found a gold-plated clasp and heart centerpiece last November in a memory-lane visit to the San Mateo Bead Show while visiting Sandra in San Jose, CA.

The necklace is 21” long and $129. Sandra claimed it for herself as soon as she saw it!

 

Drawer 19: Orange

 

Left to right: ‘S Wonderful and Lady Be Good

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment there. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 19/Drawer 19: May 3, 2017: “’S Wonderful” and “Lady Be Good” (Thanks, Gershwin!) 

An Ode to Orange:  It was accidental that I fell in love with orange and it was simultaneous with becoming a red-head.  It was primarily a wardrobe choice; then a home accessory; then beads.  A few years later I noticed I was presenting too many orange/coral/peach/rust necklaces, so I pulled back.  Now I settle for one at a time.  Never bore your collectors!

I found two interesting choices in Drawer 19, so I indulged my orange love and made two…against the better advice of mentors!

‘ S Wonderful is orange carnelian (read about carnelian in 3-22-17 blog) faceted beads, both small and medium in size, with a bold orange dichroic pendant with charming green squiggles and matching earrings. I found the dichroic at Glass Garden, made by a couple from Michigan,  in Bonita Springs, Florida, at their large 2016 Art Fair when all five Kelley Girls attended and enjoyed!  It is 19” + a 1.5” pendant.  Gold tone clasp. Priced at $89 for the set.

Lady Be Good started with the centerpiece, as most of my necklaces do. This creative take on a pod by Gail Crosman Moore (see blogs dated 4-12-17 and 5-11-16) is sculpted in oxidized brass in two pieces.  Inside is a lampwork glass thingie.  Feel free to name it!  I found a perfect match to the thingie in some orange vintage pressed glass melon-style beads.  I went longer for a 24” length + a 2” pod with a brass circle and toggle clasp and matching earrings.  $129 for the set.

This time I tried to be brief with words since I have three images, including one of me and my sisters looking like tourists under a banyan in Bonita Springs last year!

Left to right: Priscilla, Gail, Nancy, Maureen and Marilyn

 

 

 

 

 

 

Drawer 17: Dark Green

 

“Fascinating Rhythm”

I’m challenging myself in 2017 to create one necklace a week using only the beads from one drawer of my 52 drawer Apothecary Chest.

Week 17/Drawer 17: April 26, 2017: “Fascinating Rhythm”

In the glass bead world, a hierarchy of three levels exists: American Art Glass (officially called “furnace beads”); lampwork glass which I use a lot; and blown glass (see Drawer #1).

These American Art Glass beads were designed by David Christensen, Rhode Island, and I used to buy them from him by the hundreds when I lived in California. This dark green color was attractive to me because when you look closely, it sparkles due to the silver foil with which he embellished the green.

To get wonky for a moment, “furnace glass” is an American adaptation of an Italian method called “latticinio” which uses glass canes—like all three levels do—and encases them in clear glass, then manufactures them in large scale furnaces. They are not individually made, like lampwork and blown glass.

The most predominant stone in this necklace is green aventurine, which is from the ubiquitous quartz family. Sometimes I have to look twice to identify these beads since jade comes in a similar shade of green.

Also featured are some lovely pressed glass beads made in West Germany. They were hand made from 1948 to the 70’s, when they switched to machines.  I bought these vintage beads from a CA vender in 1995, so there is a chance they were hand-made.  They are the distinctive bullet-shaped beads and the leaves with white stripes.

Green Aventurine has some interesting properties: they are the heart chakra; they comfort; they settle nausea; and they give courage to the wearer in social situations.

In my quest for an unusual clasp, I found a green glass circle and paired it with an oversize pewter lobster clasp.

This two-strand necklace measures 21” and earrings are included. It is $99.

Part of the fun of each week’s necklace challenge is journaling in my “Maker’s Notebook”. It starts on the right where I leave four spaces for data which can only be entered after I finish the necklace. The body of my scribbles are thoughts that emerge as I am designing, then stringing, then closing off the necklace and earrings. On the left, I then do a drawing and color it in. I draw after completion; my design process lets the beads percolate as I gather piles of them–a process too intuitive to draw in advance.

Drawer 15: Peach & Gray

 

“Emotionally Rich”

 

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment there. Serves as the repository for my beads. Handcrafted. It has 52 Drawers.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila! 52 Necklaces!

Week 15/Drawer 15: April 12, 2017: “Emotionally Rich”

Since I had just a few peach and gray beads, I put them together in Drawer 15 and they have co-existed over the years. While rummaging through the drawer, I was excited to find two strands of gorgeous peach aventurine to feature this week.

Aventurine is a crystal with a lot of quartz in it, mostly opaque and often green, leading some to incorrectly identify it as jade. Peach is a lesser known aventurine color which is achieved by the presence of the minerals orange mica and pyrite (aka “fools’ gold”). These minerals are said to enhance creativity.

When I found the four large peach aventurine ovals, I knew I had enough to make a two-strand necklace! Notice how the sparkle of the coppery seed beads brings out the brightness of the minerals.

The highlight of the necklace is the lampwork glass creation of Gail Crosman Moore. Gail is special to me: a familiar face at the many CA bead shows where I shopped; she is from Western MA; and she is a redhead!   Mostly she is a truly creative artist as she wields colorful glass canes in one hand and in the other hand, she shapes the molten into a unique bead, all while wearing protective gear in front of flame!

Shaped like a bell, the centerpiece is peach with striations of green and blue. The bottom has beautiful blue pods waiting for your caress.

Read Gail’s website and be sure to note her shop in P-Town!

This necklace demanded a copper clasp and is accompanied by a simple pair of copper and aventurine earrings. It is 20” long.  $115.

Week 1:  Gold glass from Venice

"Romance Retold"

“Romance Retold”

2017 Necklace a Week CHALLENGE:  from 52 drawers of beads, create a unique handmade necklace using only the beads from one drawer at a time.

These large (1″ around) mottled gold Venetian glass beads will make any complexion glow!  They are hand-blown thin clear glass with splatters of gold.

The centerpiece is a Nautilus-inspired shell in cranberry color with gold flecks which turn iridescent in the light.  It is an artist-made lamp work glass bead.  Other spacer beads are glass with gold foil inside.  Secured by a gold metal clasp.

These Venetian beads are lovely to look at and wear, but please, handle with care since they are fragile.  Don’t drop the necklace and don’t wear dangle earrings that are long enough to hit them as they swing from your ear.  Truth in advertising now satisfied, don’t lust for this necklace unless you like attention because compliments will be endless!  I guarantee it or refund offered!

Wear it with your own gold earrings.  Title:  Romance Retold.  Length is 18.5″.  $99.00.

 

OPEN STUDIOS SEASON IS HERE!

July was crowded with brisk sales; August 20-21 is next with lots of new work; October 15-16 is a bonus last opportunity for artist-made gifts!

Open Studios in Hull is like Christmas in the summer!  This year there are 39 artists creating their visual treats to present to you in August and October!  Get your info on www.hullartists.com or pick up a free map-flyer at a local business.

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Now for my Beadleful updates:

My July Open Studios was filled with old and new friends and art appreciators!  I waved goodbye to 29 pieces, mostly necklaces, but earrings and bracelets also.  I love watching my work go to a new home and it motivates me to design more fabulous pieces to take their places!

Why such success?  In addition to my beads’ fabulousness; I also cut my prices to below wholesale, making it easier to splurge on jewelry in a still-soft economy.  I am also working on re-focusing my creativity to four styles, down from my previous eclectic six + styles.  As I approach a big birthday, I’ve indulged in goal-setting and refreshing my work.

More on what’s upcoming in the next blog.

Right now I’m working on new pieces:  glass is my current bead love!  Here are a few images:

Priscilla glass orange-white pendant 5161

Priscilla tan glass small beads 5179

Priscilla Lampwork Glass green-brown pendant 5188

Here’s more on Open Studios (OS):

There are additional reasons for large crowds in July.  Hull Artists, now celebrating our 21st annual Open Studios, has grown up!  We have engaged in a branding program under the leadership of our own Graphic Artist, Paul Goes.  Notice the clean design of our map-flyer, followed up in the posters on the doors of local businesses; yard signs; large signs alerting visitors on 228 and Geo Washington Blvd that it is Open Studios Weekend; our wind sock in distinctive aqua and white; even signs and balloons on street corners where artists are showing!

Additional improvements are establishing a data base to alert our visitors about upcoming events (best to state right now it is for our private use only).  We jettisoned our old website and introduced a better one…same name…www.hullartists.com.

Lory Newmyer and Connie Crosby organized us experienced hands to share our seasoned knowledge of OS with new artists, at two workshops, resulting in upgrades to our customer service.

Of course we wouldn’t be fully of age until we engaged social media!  Two tireless members set us up on Facebook (Bart Blumberg) and Instagram @hullartistsopenstudios (Connie Crosby).

And none of these efforts would have happened without our Fearless Leader, OS Chair Karin Nauth-Shelley.  Karin is a Patron Member of Hull Artists and a technical Marketing Whiz in her professional life…as well as a volunteer like the rest of us.  Thanks, Karin!

I’ll be looking for you August 20 or 21!

Priscilla Beadle                                                                                                                 Bead Jewelry Artist