The Bunch Series

“Clarity and Subtlety”

A couple of years ago, I had the idea of bunching a group of related-by-color beads with a two-color necklace. I was pleased with the results, so I make one whenever the inspiration strikes. Presented here is November’s offering plus one from this year and another from last year.

They are fun to make, even if the wire work is a tad laborious. But they serve another purpose: I can utilize my special beads which don’t suffice for a full necklace, but can be the highlights of a Bunch Necklace. That is how they are born—open a drawer, find a bag of a half-dozen beauties left from a big project—lay them down on my desk and keep adding more beads until some colors announce that they are happy with each other. Lay those colors on a design board, search other drawers to find what’s missing, then celebrate the “aha” moments as a real necklace designs itself!

Not easy for a beginner, but after 25 years, I’ve learned to look and listen to the beads. They know what colors they want to be beside. Sometimes they surprise me. They have been wrong a few times and I have had to take them apart and return them to their drawers for another chance at greatness.

November’s choice could get you through this year’s holiday parties. The necklace is composed of sparkly black and clear faceted crystal glass with some rhinestone spacers. The bunch features black and white swirls on clear blown Venetian glass with additions of silver, vintage pearls, a vintage plastic flower and leaf, and vintage Japanese black glass drops. Matching asymmetrical crystal earrings. The necklace measures 20”. $99 for the set.

This necklace was born in my busy 75th year (2017) when I set aside a bag of vintage molded glass shells from 1950’s West Germany. They posed a design challenge (how to wire them) until this summer when I said, this is easy, and threw them together! I think you can see how the beads dictated that the jasper semi-precious and vintage yellow (plastic) colors would work together. Length: 19”. Matching earrings. $99 for the set.

 

 

 

 

This Bunch started when pink and aqua met on my desk, so I built on it. I wire-wrapped Venetian blown glass, “sugar” beads as I like to call glass with dotted textured surfaces, and vintage glass leaf stick pins and bunched them. The pink became matte and shiny Czech glass juxtaposed with a bit of aqua. 19” length. Wear with your silver earrings. $79

 

 

 

 

A Max Moment

I worship at Glastonbury Abbey, Hingham, MA, which has beautiful woods and grounds walked by locals and their dogs.  A long-time occurrence each October is the Blessing of the Animals.  Max was a beneficiary this year, under a gorgeous blue sky, along with about two dozen other dogs and some cats.

 

 

Me holding Max tightly so he won’t jump on Abbot Tom who celebrated the Blessing.  The Abbot had just finished asking the human participants what their pets meant to them.  I answered that he is someone I can talk to and no one thinks I am crazy but was upstaged by a 9-year old who said “a lot.”  Clearly the best answer.

 

 

 

 

 

 

On the occasion of my husband Don’s interment in Glastonbury Abbey’s Columbarium, my four sisters funded a bench in his name inscribed with these words:  “In memory of Don Beadle who had a smile for everyone.”  I wanted to connect Don and Max and here is what it looked like.

GOLDSTONE

“Grand Illusion”

As I reach the end of my second regular blogging year (weekly in 2017; monthly in 2018 and onward…), this Goldstone research produced my first big “Aha!”

For almost 25 years, I have assumed Goldstone was one of my beloved semi-precious stones found in Nature.  It’s called stone, right?  But no!  It is a glass product cooked up by artisans!  I am not disappointed, dear readers, because it still is a fabulous glittering glass and it makes a great necklace.  I am now informed!

The original goldstone manufacturing process was developed in 17th century Venice (and Murano) by the Miotti family and exclusively licensed to them by the Doge.  The ingredients include silica, copper and other metal oxides to produce glass containing tiny crystals of metallic copper.

I have also used blue goldstone which I now know substitutes cobalt for copper.

This 22″ necklace contains two sizes of facteted goldstone with a center bead called a briolette, also faceted, which plays up the glitter very nicely.  Copper clasp and matching earrings.  $69 for the set.

 

 

 

 

OPEN STUDIOS SEASON IS HERE!

July was crowded with brisk sales; August 20-21 is next with lots of new work; October 15-16 is a bonus last opportunity for artist-made gifts!

Open Studios in Hull is like Christmas in the summer!  This year there are 39 artists creating their visual treats to present to you in August and October!  Get your info on www.hullartists.com or pick up a free map-flyer at a local business.

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Now for my Beadleful updates:

My July Open Studios was filled with old and new friends and art appreciators!  I waved goodbye to 29 pieces, mostly necklaces, but earrings and bracelets also.  I love watching my work go to a new home and it motivates me to design more fabulous pieces to take their places!

Why such success?  In addition to my beads’ fabulousness; I also cut my prices to below wholesale, making it easier to splurge on jewelry in a still-soft economy.  I am also working on re-focusing my creativity to four styles, down from my previous eclectic six + styles.  As I approach a big birthday, I’ve indulged in goal-setting and refreshing my work.

More on what’s upcoming in the next blog.

Right now I’m working on new pieces:  glass is my current bead love!  Here are a few images:

Priscilla glass orange-white pendant 5161

Priscilla tan glass small beads 5179

Priscilla Lampwork Glass green-brown pendant 5188

Here’s more on Open Studios (OS):

There are additional reasons for large crowds in July.  Hull Artists, now celebrating our 21st annual Open Studios, has grown up!  We have engaged in a branding program under the leadership of our own Graphic Artist, Paul Goes.  Notice the clean design of our map-flyer, followed up in the posters on the doors of local businesses; yard signs; large signs alerting visitors on 228 and Geo Washington Blvd that it is Open Studios Weekend; our wind sock in distinctive aqua and white; even signs and balloons on street corners where artists are showing!

Additional improvements are establishing a data base to alert our visitors about upcoming events (best to state right now it is for our private use only).  We jettisoned our old website and introduced a better one…same name…www.hullartists.com.

Lory Newmyer and Connie Crosby organized us experienced hands to share our seasoned knowledge of OS with new artists, at two workshops, resulting in upgrades to our customer service.

Of course we wouldn’t be fully of age until we engaged social media!  Two tireless members set us up on Facebook (Bart Blumberg) and Instagram @hullartistsopenstudios (Connie Crosby).

And none of these efforts would have happened without our Fearless Leader, OS Chair Karin Nauth-Shelley.  Karin is a Patron Member of Hull Artists and a technical Marketing Whiz in her professional life…as well as a volunteer like the rest of us.  Thanks, Karin!

I’ll be looking for you August 20 or 21!

Priscilla Beadle                                                                                                                 Bead Jewelry Artist

 

Three Necklaces

“Chic Thrills” features a charming koi fish centerpiece I have had for a long time, waiting for the right mix of beads to show it off. Well, when nearly matching vintage orange Lucite (what plastic was called in the 1960’s) beads came into my possession, I had the answer. But what contrasting color to use? An odd green, don’t ask me why. I was so excited by the time I assembled the large faux pearl, the beetle wings and the small faux pearls, that I can’t remember how the colors all came together!
The fish is Asian in its origin as indicated by its large popping eyes and its elaborate tail display. It is a vintage piece perhaps made of resin with lots of nice carving marks on it.
The five beetle wings are iridescent and pointy and most unusual. A great conversation piece.
The necklace is almost 19″ long and the centerpiece dangle is 4″long.
Hammered gold-colored metal clasp, gold-filled wire connections in the dangle.
The price is $159 which includes earrings featuring green and orange beads with a beetle wing.

“A Smashing Good Time” is a classic sterling silver and turquoise necklace with a contemporary spin that the silver used here is a special basket weave pattern mastered by the Hill Tribes of northern Thailand. The clasp is also sterling silver by the Hill Tribes.
The turquoise chunky beads mix smooth and veined specimens of Chinese-mined turquoise stones.
The necklace is 23″ and the basket weave medallion is 2″ in diameter.
It is priced at $135.

“Flash Forward” is also color-forward: semi-precious amethyst beads matched with lime-dyed branch coral. The branch coral is bezeled with an electroplated gold bail for a shiny, blingy look. It is attached to the amethyst necklace and secured by two vermeil (gold plate over metal) beads. The necklace ends with more electroplated gold beads and a gold metal clasp.
Think of this piece as a fabulous good luck charm and wear it well!
The necklace measures 18″ and the centerpiece is 3″.
The price is $129.