Drawer 24: Black (with other colors). Revised to show color😘

“Grand Illusion”

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers, sorted by color.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 24/Drawer 24: June 14, 2017: “Grand Illusion”

Two weeks ago, I stated there were four black drawers. Now there are three!

I re-organized the contents into three drawers after tossing the ugly, donating the unwanted, and re-assigning others. I put iridescent beads, mostly shells, into Drawer 25 which you will see next week in a necklace of a very different style!

Let’s focus on this week’s design: Venetian glass.  It’s been a staple of mine for many years and I am down to a small supply left in Drawers 1 and 2.  I paired the Venetian with another love:  American Art glass by David Christensen.  See Week 17 for details on American Art Glass.

It is a mildly asymmetrical necklace but balanced so it will sit prettily on the neck. I needed some very shiny and medium sized beads for the top half and found those qualities in some plastic beads I bought at a yard sale back in the day when you could find real treasures in yard sales.

The clasp has a starring role with a fabulous oval piece of art glass and a sterling silver toggle I fashioned. Two perfect pieces of art glass found their way to the earrings.  All in all, a very satisfying creation.  20” long.  $99 for the set.

 

Drawer 23: Black (Shiny)

 

“Midnight in the Gardens”

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers, sorted by color.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 23/Drawer 23: June 7, 2017: “Midnight in the Gardens”

These shiny black beads spoke to me because of their unique white line down one corner. These are vintage resin beads and their shine has dulled as many hands have touched them over four decades or so. They are a product of the 70’s.  I wouldn’t be surprised if the explanation for the white line had to do with the mold they were cast in and not some fabulous creative detail.  But we shall not know because I cannot find any info on these beads and if there was a story when I bought them, it is now forgotten.

 

 

Well, I’m a techie-in training, and I barely managed to draw orange arrows to show my readers the cool white lines, but I couldn’t get rid of the pesky “text” circle.  Oh, well, enjoy and chuckle!

 

 

 

 

There is a story in the white freshwater pearls: my friend Penny’s friend sent them to me to re-use.  I fell for their heft, solidity and the fine markings etched by their life in a shell in warm water somewhere in Asia.  They were re-used within a month of receipt; lightning speed for me who can hold beads for twenty years before finding a match!

I have undoubtably mentioned my need to personalize my creations with an interesting clasp so the view from behind is as creative as the front. I estimate that this is possible in half of the necklaces I produce.  This one features a black plastic elliptical circle with a black horn toggle.

Three bold components in this neckpiece: rectangular beads, hefty pearls and a strong clasp!  Just the way I like it!

This strand is 19.5” and comes with matching pearl earrings on a modified hoop. $79.

Drawer 22: Black (Matte)

“22nd Century”

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment there. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 22/Drawer 22: May 31, 2017: “22nd Century”

There are four black drawers! As I have stated, I am re-organizing/tidying/tossing as I go through my 52 bead drawers.  I approached the four black drawers, three sections each, with enthusiasm, wearing my organizer-in-chief hat.

Drawer 22 ended up with all the matte black beads and the shiny ones went to Drawer 23; I am still sorting the next two black drawers, deciding how to proceed since they are black with other colors. I guess I just named them!

My discovery in #22 were the meteorite beads pictured above. I thought they were lava beads which I have worked with for several years, but the label said meteorite…that sent me straight to Google.  Meteorite is a first for me.  As you can imagine, a meteor entered out atmosphere 50,000 years ago, crashed and splintered and lingered, and only 50 years ago, ancient gravesites were found in the Midwest with beads formed from the iron nickel fragments.  With the emergence of treasure-hunters with metal detectors, meteorite made its way to bead shows and my Drawer 22.

Black and chunky, these beads are coated to protect them from wear and oxidation. I test-drove this necklace and it is comfortable and smooth on the neck.  It is of medium weight, perfect for wearing to an event as opposed to all day.  It will start many conversations!

I added a few matte onyx beads and a pewter clasp to make the back as much fun as the front! Matching earrings in sterling silver, lava and matte onyx.  The set is $89.  The necklace measures 19.5”.

Drawer 21: Yellow

“Moralist of the Quotidian”

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment there. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 21/Drawer 21: May 24, 2017: “Moralist of the Quotidian”

This week I shall wax poetic over a recent 2015 memory of finding this centerpiece rather than the 20-year old memories detailed in previous blogs!

An inspiring friend, Nancy Cusack, now an Adjunct Professor Emerita at Mass College of Art and Design, Boston, and Visual Artist, invites her friends to unique events at the College. I was excited to attend the opening of an exhibit of broken/unused/unwanted jewelry recycled by Professor Joe Wood’s Jewelry class into chic new wearables!  This brooch was so captivating that I immediately put it in my hand as I finished looking around.  I knew it would make a fabulous centerpiece for a yet-to-be-determined necklace!

The beads accompanying the centerpiece turn out to be very simple: sand cast African glass from the yellow drawer with a hue so close to the flowers that they were destined to be together.  These beads have been made in Ghana since the 1600s.  In their unique process, pulverized glass is poured into a clay mold, with a local cassava reed placed where the hole should be.  The mold goes into a furnace which heats it up to where it congeals, and the cassava burns away.

I also used a few interlocking flower disc beads, also made in Africa and used as trade beads (more on trade beads in blog dated February 8, 2017). Find them in the back of the brooch and at the end of the necklace.

A fun clasp makes the back look good. A vintage resin button serves as a toggle to the black glass circle.  Earwires are blackened silver with matching beads.

The necklace is 21” long; the centerpiece is 1.5” diameter. $99 for set.

 

Here is an image of one of my other purchases at the Recycled Exhibit—a clever repurposing of faux pearls studded with silver solder and attached to two intertwined chains. It has become my go-to daily necklace when I’m dashing out of the house and no time to choose one of my own creations. Also a quotidian!

Drawer 20: Yellow Jade

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment there. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 20/Drawer 20: May 17, 2017: “Care of the Soul”

 

I thought a drawer full of yellow jade would make for a bland necklace until I came across some wonderful artist-made lampwork glass in the yellow jade tone with relief-providing beige highlights! Thank you, Sheila Checkoway (Mass.)!

Sheila was featured in a homage to women glass artists in my blog dated April11, 2016. This necklace contains 20 of her beads, each slightly different, and 22 beads of yellow jade.  Sheila also found the centerpiece, a blade of kyanite, on her travels in Tanzania, Africa.

Kyanite is an aluminum silicate mineral (crystal) found in the long blade format you see here. Blue is the most common color but this orange tone was recently discovered.  I also purchased two longer blades that are quite orange; this centerpiece is subtle in its orange and harmonizes well with the yellow jade tones.  Google raves about its amazing metaphysical properties, so check it out if that is your interest. I shall summarize it thusly; kyanite is a bridge, an extraordinary crystal that creates pathways where none existed before.

 

 

I discovered yellow jade in Hong Kong, site of an incredible Jade Market accessible to all, but you will have to wait until Drawer 49 to see the unique green color of local jade, bought at the Jade Market in the 90’s, for more info on that subject! Yellow jade is less available than green jade or new jade which is a pale shade of green.

The Chinese started mining yellow jade in 6000 BC. Confucius (551—479 BC) thought it had properties that encouraged purity, bravery and honesty.  Its yellow varies from lemon to golden; I have mostly the shade you see here which in my mind is mustard seed.  Its yellow properties are caused by iron leaching during its weathering stage.  Yellow jade was beloved by Emperors and the Imperial Court; mostly sculpted into imposing foo dogs and pagodas.

The necklace is 19” and has a brass clasp and vermeil beads. Matching earrings.  $119.

Drawer 19: Orange

 

Left to right: ‘S Wonderful and Lady Be Good

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment there. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 19/Drawer 19: May 3, 2017: “’S Wonderful” and “Lady Be Good” (Thanks, Gershwin!) 

An Ode to Orange:  It was accidental that I fell in love with orange and it was simultaneous with becoming a red-head.  It was primarily a wardrobe choice; then a home accessory; then beads.  A few years later I noticed I was presenting too many orange/coral/peach/rust necklaces, so I pulled back.  Now I settle for one at a time.  Never bore your collectors!

I found two interesting choices in Drawer 19, so I indulged my orange love and made two…against the better advice of mentors!

‘ S Wonderful is orange carnelian (read about carnelian in 3-22-17 blog) faceted beads, both small and medium in size, with a bold orange dichroic pendant with charming green squiggles and matching earrings. I found the dichroic at Glass Garden, made by a couple from Michigan,  in Bonita Springs, Florida, at their large 2016 Art Fair when all five Kelley Girls attended and enjoyed!  It is 19” + a 1.5” pendant.  Gold tone clasp. Priced at $89 for the set.

Lady Be Good started with the centerpiece, as most of my necklaces do. This creative take on a pod by Gail Crosman Moore (see blogs dated 4-12-17 and 5-11-16) is sculpted in oxidized brass in two pieces.  Inside is a lampwork glass thingie.  Feel free to name it!  I found a perfect match to the thingie in some orange vintage pressed glass melon-style beads.  I went longer for a 24” length + a 2” pod with a brass circle and toggle clasp and matching earrings.  $129 for the set.

This time I tried to be brief with words since I have three images, including one of me and my sisters looking like tourists under a banyan in Bonita Springs last year!

Left to right: Priscilla, Gail, Nancy, Maureen and Marilyn

 

 

 

 

 

 

Drawer 18: Garnet & Mahogany

“I Do Give a Damn”

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment there. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 18/Drawer 18: May 3, 2017: “I do Give a Damn”

 

I think the reason I like garnet is because it is so ruby-esque, which is my birthstone, but so much more affordable than the precious gemstone that ruby is. Although the strands I found in Drawer 18 were cut much smaller than I usually work with, their rich color and the bail by Gita Maria which lay hidden in the drawer, convinced me this would be a nice necklace!

I used three strands for this necklace; two of them I personally bought in Jaipur, India, in 1994. While living in Hong Kong, I joined the American Women’s Club which gave cultural lectures and sponsored trips.  I eagerly absorbed it all, including a trip to India:  New Delhi, the Taj Mahal and Jaipur.  Envision 52 American women driving city to city.  At every stop, local vendors rushed our buses, offering their wares.  One of us was wearing sneakers with the flashing lights (some trends fortunately didn’t stick!), and she had a major following of groupie kids and vendors whom she mesmerized!

Jaipur is a major gem cutting location, so I set out, alone—it was perfectly safe—to an address recommended to me. It was closed but people managed to tell me it was Ramadan and at sunset it would re-open.  I waited for about an hour, did my haggling, and purchased a half dozen strands, including the two garnet we see above.  I returned to my hotel in a taxi in crazy traffic.  At one point, a camel pulling a flatbed transport wagon was right beside me!  Elephants were also transporting, not in the main street, but on a sort of frontage road.  A great memory!

The Gita Maria (Oregon) bail is made of garnet-colored glass enamel over sterling silver and holds a sterling silver crown to celebrate that we are all princesses!

 

Here is a pair of Gita Maria octopus earrings from my studio.  Sterling silver earwires and Swarovski crystals.  $45.

 

 

 

 

Garnet has been used for gemstones and abrasives since the Bronze Age. Its Latin name, “granatus”, is due to the stone’s similarity to pomegranate seeds.

This necklace is 20” long with silver plated brass beads and clasp. Wear your sterling silver earrings.  $89.

Drawer 17: Dark Green

 

“Fascinating Rhythm”

I’m challenging myself in 2017 to create one necklace a week using only the beads from one drawer of my 52 drawer Apothecary Chest.

Week 17/Drawer 17: April 26, 2017: “Fascinating Rhythm”

In the glass bead world, a hierarchy of three levels exists: American Art Glass (officially called “furnace beads”); lampwork glass which I use a lot; and blown glass (see Drawer #1).

These American Art Glass beads were designed by David Christensen, Rhode Island, and I used to buy them from him by the hundreds when I lived in California. This dark green color was attractive to me because when you look closely, it sparkles due to the silver foil with which he embellished the green.

To get wonky for a moment, “furnace glass” is an American adaptation of an Italian method called “latticinio” which uses glass canes—like all three levels do—and encases them in clear glass, then manufactures them in large scale furnaces. They are not individually made, like lampwork and blown glass.

The most predominant stone in this necklace is green aventurine, which is from the ubiquitous quartz family. Sometimes I have to look twice to identify these beads since jade comes in a similar shade of green.

Also featured are some lovely pressed glass beads made in West Germany. They were hand made from 1948 to the 70’s, when they switched to machines.  I bought these vintage beads from a CA vender in 1995, so there is a chance they were hand-made.  They are the distinctive bullet-shaped beads and the leaves with white stripes.

Green Aventurine has some interesting properties: they are the heart chakra; they comfort; they settle nausea; and they give courage to the wearer in social situations.

In my quest for an unusual clasp, I found a green glass circle and paired it with an oversize pewter lobster clasp.

This two-strand necklace measures 21” and earrings are included. It is $99.

Part of the fun of each week’s necklace challenge is journaling in my “Maker’s Notebook”. It starts on the right where I leave four spaces for data which can only be entered after I finish the necklace. The body of my scribbles are thoughts that emerge as I am designing, then stringing, then closing off the necklace and earrings. On the left, I then do a drawing and color it in. I draw after completion; my design process lets the beads percolate as I gather piles of them–a process too intuitive to draw in advance.

Drawer 16: Pink

“PINK: One Word Sentence”

 

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment there. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 16/Drawer 16: April 19, 2017: “PINK: One Word Sentence”

A half a dozen years after I started beading, I became a redhead. I stopped wearing pink since it clashed with my hair.  I guess I also stopped buying pink beads, because when I pulled out Drawer 16, I was surprised at its sparsity.  Besides the one bag of pink Czech glass that dominates this necklace, all I had were bits and pieces.  For example, near the clasp, note the two “lacy” round beads and the larger pink ones of the same family as the dominant beads–there were exactly two beads in each plastic bag.  Now there are none.

I have many pretty pink beads: the ones with embedded green leaves (maybe dots to your eyes); vintage faceted clear and pink; and the triangular ones near the centerpiece and in the earrings as well.

The centerpiece is from my large lampwork glass collection and features pink and lavender roses, er, flowers, with leaves. It measures 2.5” and is a real statement!

Riffing off those flowers and leaves, I couldn’t resist designing four clusters of them into the body of the necklace. I wanted each cluster to be unique, so I pulled different shades and styles of leaves and flowers, and randomly assembled them.  It took some time and involved close work, but I found the process very satisfying.

 

Work in progress:

 

Laying out the design.

 

 

 

First cluster is made!

Finally, the clasp is a pink glass circle with a silver toggle.

This is the first and perhaps the only necklace of this Challenge to be strung in thread which is especially adaptable to the clusters in this woven piece. I used three strands on each side to give the three-dimensionality I wanted to the clusters.

This necklace is accompanied by earrings using beads from the necklace. It is 26” long plus a 3.5” dangle.  $129.

Drawer 15: Peach & Gray

 

“Emotionally Rich”

 

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment there. Serves as the repository for my beads. Handcrafted. It has 52 Drawers.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila! 52 Necklaces!

Week 15/Drawer 15: April 12, 2017: “Emotionally Rich”

Since I had just a few peach and gray beads, I put them together in Drawer 15 and they have co-existed over the years. While rummaging through the drawer, I was excited to find two strands of gorgeous peach aventurine to feature this week.

Aventurine is a crystal with a lot of quartz in it, mostly opaque and often green, leading some to incorrectly identify it as jade. Peach is a lesser known aventurine color which is achieved by the presence of the minerals orange mica and pyrite (aka “fools’ gold”). These minerals are said to enhance creativity.

When I found the four large peach aventurine ovals, I knew I had enough to make a two-strand necklace! Notice how the sparkle of the coppery seed beads brings out the brightness of the minerals.

The highlight of the necklace is the lampwork glass creation of Gail Crosman Moore. Gail is special to me: a familiar face at the many CA bead shows where I shopped; she is from Western MA; and she is a redhead!   Mostly she is a truly creative artist as she wields colorful glass canes in one hand and in the other hand, she shapes the molten into a unique bead, all while wearing protective gear in front of flame!

Shaped like a bell, the centerpiece is peach with striations of green and blue. The bottom has beautiful blue pods waiting for your caress.

Read Gail’s website and be sure to note her shop in P-Town!

This necklace demanded a copper clasp and is accompanied by a simple pair of copper and aventurine earrings. It is 20” long.  $115.