Drawer 26: Recycled Glass Beads from Indonesia

“Adventure of Sea and Sky”

 

My Apothecary Chest: in 1994, it arrived via container to California from Hong Kong, where I discovered beading during an ex-pat assignment. Serves as the repository for my beads.  Handcrafted.  It has 52 Drawers, mostly sorted by color.

2017 Challenge: Create a Necklace a Week, using only the Beads from one Drawer at a time. Voila!  52 Necklaces!

Week 26/Drawer 26: June 28, 2017: “Adventure of Sea and Sky”

I remember the first time I saw recycled beads: probably at the giant quarterly San Mateo Gem Show (still ongoing) in the late 90’s, and my eyes popped at recycled Coke bottles—remember that shade of green?—made in Indonesia.  Due to my policy of never hesitating at the odd or the beautiful, I bought them.  In those days, they were made in Indonesia, now Ghana seems to produce a lot of recycled beads.  Pictured below are some of that original stash:  pretty unsophisticated as quality beads go, but screaming Coke bottles!  I also have some of the early blue ones made from old-style TV screens.  Both colors are relics now.

My journal notes as I string Drawer 26’s necklace. Also three of my Coke bottle recycled beads from my collection. Too bad they stopped making those green bottles!

I favor the long rectangular bars, 2” x .5”, since they are the most contemporary and I found a photo of a necklace I made around 2000 and allowed myself to be inspired by it. Most recycled glass is transparent although there are opaque dark blues and browns in my collection.  Here I have paired the transparent glacier color bars with diamond shaped beads featuring a smooth glassy top and rough etched edges.  The Indonesian recycled beads are handmade, easy to verify since no two are quite alike.

Instead of dark compliments as in my earlier version, I found a strand of grey freshwater pearls with subtle blue and green iridescence and made my decision. I used two different seed beads with similar iridescence (the colors are silver AB* and Japanese glass triangles with aqua outside and shimmering gold inside) and wove them through and around the diamond cut recycled glass as I did 17 years ago.

This necklace is 21” long with earrings to coordinate. $99 for the set.

*I learned something I wanted to pass on: AB is Aurora Borealis, a finish invented by the famous Swarovski company, and, in my world, they always connote crystals with an iridescent surface.

Drawer 25: Iridescent

  Week 25/Drawer 25: June 21, 2017: “I Believe I can Fly”

 I’ve made perhaps ten of these complicated woven necklaces in my 22 years as a bead jewelry artist. As a beginner in the 90’s, I took lots of classes from a lot of fabulous well-known instructors.  I loved learning about other artists’ styles and methods, hearing their tips, fondling their samples, and buying their beads and books.  For me, there is no better way to spend time.

helen dietze (always lower case) gave classes in making “Ambassadors”—knotted woven seed bead chunks about 2” x 6” strung on thread which was tied in a knot and worn long. As named, she took them on her travels and gave them away.  She also taught her techniques, including an advanced class where the Ambassador was used to encase a beautiful extraordinary object preferably found in exotic places.  These creations were meant to exemplify the “more is better” theory.  This class was made for me!

 

 

 

 

So, helen, here is what you taught me 20 years ago, adapted to my style, and an appropriate challenge for Week 25, almost halfway to the end; almost to my 75th birthday!

 

 

 

 

A bit of a bio of helen: Born in perhaps 1919 (she disallowed discussions of her age); she studied art at the Rudolph Schaeffer School of Color and Design in San Francisco; was widowed in 1959; lived in a house in San Leandro, No. California, which was packed to the rafters with mosaics, yarns, looms, and beads.  Small of stature, she was tall in presence:  perfect make-up with signature red lipstick; hair up in a chignon; black clothing; and always a major necklace on her neck.  She was our Georgia O’Keefe.  helen passed away in 2004, at approximately age 85.  Needless to say, the crowds at her memorial were huge.

In closeup, above, in step 5.

To describe my necklace, I shall do it in terms of the construction process (usually called my design process):

  1. Go to the bottom of the necklace and find the knot of beads. This section, about 2” x 2” is the “Ambassador” starting point. I added the sterling silver fish and the pewter frog. Attach it to the 4” long shell with some holes supplied by Mother Nature.
  2. I weave and knot my way up and over the shell strip using multi-color beads of varying sizes. My principal colors reflect the iridescent shell—greens, pinks and greys in all shades. Blues and reds thrown in for punch.
  3. Practicing “more is better”, I add another shell, 2” at its longest. By now I am working with four strands of strong bead thread on each side.
  4. I start up one side. I string 2-3” on two strands and knot them. I string a new strand, add a few beads to one of the strand I just knotted. Repeat over and over. But I only go up 3-4” on this one side.
  5. Then I turn my attention to the other side, always consulting side 1 to assure balance by bulk and color.
  6. Note the Guatemalan fish dangles at about the 4” mark. Here I terminate one strand on each side so I can progress with three strands.
  7. I work narrower as I round the neck area, tie off and cut one more strand to finish with only two.
  8. The darling frog button gets attached on side 2 and I string medium size Czech glass on the loop side, completing the closure and the necklace. It took 22 hours by my best guess. Did you find the fourth fish dangle?

This woven necklace is 22.5” long. The centerpiece section is 7”.  $139.

Precious Petrified Wood

 

 

I have paired the petrified bleached wood from Alaska with large baroque pearls (read interesting and organic shapes), and beige multi-toned glass seed beads woven in and out of the wood. The necklace is just shy of 21”.  It has a pewter-based gold-coated clasp and can be worn casually or dress-up.  Just remember, it is no longer precious; it is now a statement piece! The price is $175 which includes shipping and insurance.

Petrified bleached wood with large baroque pearls, and beige multi-toned glass seed beads woven in and out of the wood.
About 21”, with a pewter-based gold-coated clasp; can be worn casually or dress-up.It is a statement piece!
The price of $175 includes shipping and insurance.

 

Can you believe it was over ten years ago that I bought several pieces of petrified bleached wood from Alaska at the big fabulous bead shows I used to go to at San Mateo, CA?

Can you believe that I’ve held these precious commodities until now? What is it when something is so precious to us we are afraid to use it? Think of your grandmother’s crystal; your child’s first Mother’s Day gift purchased with his own money; that expensive designer blouse we splurged on? That is how I classified my petrified wood….until now.
Here it is, magnificent in its paleness, pure in its organic forms, and sustainably repurposed into adornment that we can wear and enjoy! I have removed it from the rank of precious and transferred it to attainable. Such a transformation!
I have paired the petrified bleached wood with large baroque pearls (read interesting and organic shapes), and beige multi-toned glass seed beads woven in and out of the wood.
The necklace is just shy of 21”. It has a pewter-based gold-coated clasp and can be worn casually or dress-up. Just remember, it is no longer precious; it is now a statement piece!
The price is $175 which includes shipping and insurance.

 

Three Necklaces

“Chic Thrills” features a charming koi fish centerpiece I have had for a long time, waiting for the right mix of beads to show it off. Well, when nearly matching vintage orange Lucite (what plastic was called in the 1960’s) beads came into my possession, I had the answer. But what contrasting color to use? An odd green, don’t ask me why. I was so excited by the time I assembled the large faux pearl, the beetle wings and the small faux pearls, that I can’t remember how the colors all came together!
The fish is Asian in its origin as indicated by its large popping eyes and its elaborate tail display. It is a vintage piece perhaps made of resin with lots of nice carving marks on it.
The five beetle wings are iridescent and pointy and most unusual. A great conversation piece.
The necklace is almost 19″ long and the centerpiece dangle is 4″long.
Hammered gold-colored metal clasp, gold-filled wire connections in the dangle.
The price is $159 which includes earrings featuring green and orange beads with a beetle wing.

“A Smashing Good Time” is a classic sterling silver and turquoise necklace with a contemporary spin that the silver used here is a special basket weave pattern mastered by the Hill Tribes of northern Thailand. The clasp is also sterling silver by the Hill Tribes.
The turquoise chunky beads mix smooth and veined specimens of Chinese-mined turquoise stones.
The necklace is 23″ and the basket weave medallion is 2″ in diameter.
It is priced at $135.

“Flash Forward” is also color-forward: semi-precious amethyst beads matched with lime-dyed branch coral. The branch coral is bezeled with an electroplated gold bail for a shiny, blingy look. It is attached to the amethyst necklace and secured by two vermeil (gold plate over metal) beads. The necklace ends with more electroplated gold beads and a gold metal clasp.
Think of this piece as a fabulous good luck charm and wear it well!
The necklace measures 18″ and the centerpiece is 3″.
The price is $129.